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|a UAMI
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|a Tompkins, Cynthia,
|d 1958-
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|a Experimental Latin American cinema :
|b history and aesthetics /
|c by Cynthia Tompkins.
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|a First edition.
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|a Austin :
|b University of Texas Press,
|c 2013.
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|a 1 online resource (x, 294 pages) :
|b illustrations
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|a text
|b txt
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|a computer
|b c
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|a online resource
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|a Includes bibliographical references and index.
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|a Introduction : Mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture : Fabián Bielinsky's epileptic El aura ; Slippery criminal pleasures : intermediality and voyeurism in Jorge Furtado's O homem que copiava ; Endless quest : chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary : Walter Salles's Central do Brasil ; Twin piques : the double discourse of Carlos Sorín's El camino de San Diego ; Orphans' solidarity : María Victoria Menis's El cielito -- Drama. Sculpting time : Inês de Oliveira Cézar's Como pasan las horas ; The past engulfs the present : Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life : Carlos Reygadas's Japón ; Crime and self-inflicted punishment : Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society : Carlos Reygadas's Stellet licht ; Cyclical scapegoating : Inês de Oliveira Cézar's Extranjera ; The irrevocable nature of curses : Inês de Oliveira Cézar's El recuento de Los daños ; Splintered mirrors, echoes, and reverberations : Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view : Fernando Pérez Valdés's Suite Habana ; Life is and is not : Paz Encina's Hamaca Paraguaya -- Conclusion : possible futures.
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|a This exploration of experimental Latin American film applies Deleuzian theories of cinema in a comparative approach to examine multiple genres and works from the most important national cinematic traditions.
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|a Print version record.
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|a English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Experimental films
|z Latin America
|x History and criticism.
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|a ART
|x Film & Video.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Experimental films.
|2 fast
|0 (OCoLC)fst00918452
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|a Latin America.
|2 fast
|0 (OCoLC)fst01245945
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Tompkins, Cynthia, 1958-
|t Experimental Latin American cinema.
|b 1st ed.
|d Austin : University of Texas Press, 2013
|z 9780292744158
|w (DLC) 2012024686
|w (OCoLC)798263900
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|u https://jstor.uam.elogim.com/stable/10.7560/744158
|z Texto completo
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