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Re-imagining the 'dark continent' in fin de siècle literature /

Maps the fin de siècle mission to open up the 'Dark Continent'. Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McLaughlan, Robert (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, 2012.
Colección:Edinburgh critical studies in Victorian culture.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a McLaughlan, Robert,  |e author. 
245 1 0 |a Re-imagining the 'dark continent' in fin de siècle literature /  |c Robbie McLaughlan. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c 2012. 
264 4 |c ©2012 
300 |a 1 online resource (viii, 237 pages) 
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490 1 |a Edinburgh critical studies in Victorian culture 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Militibus Christi -- Behind the Black Velvet curtain -- Preaching to the nerves. 
520 |a Maps the fin de siècle mission to open up the 'Dark Continent'. Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena. Key Features:. * Opens up the 'dark continent' and its literary, historical and theoretical manifestations * Argues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de siècle sensation literature, in particular mesmeric fiction, and psychoanalysis * Diverges from established colonial histories by drawing on an archive of special and neglected material Keywords:. postcolonial, psychoanalysis, fin de siècle, mesmerism, colonial, missionary, cartography 
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650 0 |a English literature  |y 19th century  |x History and criticism. 
650 0 |a Adventure and adventurers in literature. 
650 0 |a Popular culture  |x History  |y 19th century. 
651 0 |a Africa  |x In literature. 
651 0 |a Africa  |x Discovery and exploration. 
650 6 |a Littérature anglaise  |y 19e siècle  |x Histoire et critique. 
650 6 |a Culture populaire  |x Histoire  |y 19e siècle. 
651 6 |a Afrique  |x Dans la littérature. 
651 6 |a Afrique  |x Découverte et exploration. 
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650 7 |a Literature  |2 fast 
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651 7 |a Africa  |2 fast 
648 7 |a 1800-1899  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a McLaughlan, Robert.  |t Re-imagining the 'dark continent' in fin de siècle literature.  |d Edinburgh : Edinburgh University Press, ©2012  |z 9780748647156  |w (OCoLC)816150037 
830 0 |a Edinburgh critical studies in Victorian culture. 
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