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Native Americans on film : conversations, teaching, and theory /
The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, I...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington, Kentucky :
The University Press of Kentucky,
2013.
©2013 |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Native Americans on film : |b conversations, teaching, and theory / |c edited by M. Elise Marubbio and Eric L. Buffalohead. |
| 260 | |a Lexington, Kentucky : |b The University Press of Kentucky, |c 2013. | ||
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (viii, 390 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 380 | |a Filmography | ||
| 520 | |a The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression. Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 504 | |a Includes filmography. | ||
| 505 | 0 | 0 | |g Introduction: |t Talking back, moving forward -- |g Section one. |t Theoretical conversations: |g Introduction to section one -- |t Dimensions of difference in Indigenous film / |r Houston Wood -- |t Reading Nanook's smile : visual sovereignty, Indigenous revisions of ethnography, and Atanarjuat, the fast runner / |r Michelle H. Raheja -- |t Dismantling the master's house : the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / |r Jennifer L. Gauthier -- |t Indigenous (re)memory and resistance : video works by Dana Claxton / |r Carla Taunton. -- |g Section two. |t Pedagogical conversations: |g Introduction to section two -- |t Native resistance to Hollywood's persistence of vision : teaching films about contemporary American Indians / |r Carole Gerster -- |t Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / |r Amy Corbin -- |t Teaching Native American filmmakers : Osawa, Eyre, and Redroad / |r Angelica Lawson -- |t "The native's point of view" as seen through the native's (and non-native's) points of view / |r Sam Pack -- |t The dirt roads of consciousness : teaching and producing videos with an Indigenous purpose / |r Beverly Singer. -- |g Section three. |t Conversations with filmmakers: |g Introduction to section three -- |t "Pockets full of stories" : an interview with Sterlin Harjo and Blackhorse Lowe / |r Joanna Hearne and Zack Shlachter -- |t Wrestling the greased pig : an interview with Randy Redroad / |r M. Elise Marubbio -- |t An upstream journey : an interview with Sandra Osawa / |r Saza Osawa -- |t Video as community ally and Dakota sense of place : an interview with Mona Smith / |r Jennifer A. Machoirlatti -- |t The journey's discovery : an interview with Shelley Niro / |r Elizabeth Weatherford. -- |g Acknowledgments -- |g Selected filmography -- |g List of contributors -- |g Index. |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Indians in motion pictures. | |
| 650 | 0 | |a Indians in the motion picture industry |z United States. | |
| 650 | 0 | |a Indigenous films |z United States. | |
| 650 | 0 | |a Indian motion picture producers and directors |z United States |v Interviews. | |
| 650 | 0 | |a Stereotypes (Social psychology) in motion pictures. | |
| 650 | 6 | |a Peuples autochtones au cinéma. | |
| 650 | 6 | |a Films autochtones |z États-Unis. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma des Peuples autochtones |z États-Unis |v Entretiens. | |
| 650 | 6 | |a Stéréotypes au cinéma. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Indian motion picture producers and directors. |2 fast |0 (OCoLC)fst01750007 | |
| 650 | 7 | |a Indians in motion pictures. |2 fast |0 (OCoLC)fst00969423 | |
| 650 | 7 | |a Indians in the motion picture industry. |2 fast |0 (OCoLC)fst00969428 | |
| 650 | 7 | |a Indigenous films. |2 fast |0 (OCoLC)fst01744117 | |
| 650 | 7 | |a Stereotypes (Social psychology) in motion pictures. |2 fast |0 (OCoLC)fst01431527 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Interviews |2 fast |0 (OCoLC)fst01423832 | |
| 700 | 1 | |a Marubbio, M. Elise, |d 1963- |e editor. | |
| 700 | 1 | |a Buffalohead, Eric L., |d 1965- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Native Americans on film. |d Lexington, Kentucky : The University Press of Kentucky, 2012 |z 9780813136653 |w (DLC) 2012040562 |w (OCoLC)788282227 |
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