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Love and money : queers, class, and cultural production /

"Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Henderson, Lisa
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, ©2013.
Colección:Critical cultural communication.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Love and money :  |b queers, class, and cultural production /  |c Lisa Henderson. 
260 |a New York :  |b New York University Press,  |c ©2013. 
300 |a 1 online resource (xii, 201 pages) :  |b illustrations 
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490 1 |a Critical cultural communication 
504 |a Includes bibliographical references, filmography and index. 
504 |a Includes bibliographical references (pages 169-185), filmography (p. 187-189) , and index. 
588 0 |a Print version record. 
505 0 |a Introduction: love and money, queerness and class -- The class character of Boys don't cry -- Queer visibility and social class -- Every queer thing we know -- Recognition: queers, class, and Dorothy Allison -- Queer relay -- Plausible optimism -- Conclusion: a cultural politics of love and solidarity. 
520 |a "Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace--rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life."--Publisher's website. 
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650 0 |a Homosexuality  |x Social aspects. 
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650 0 |a Gays in mass media. 
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