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Highlife Saturday night : popular music and social change in urban Ghana /
Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band ""highlife"" music as a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
2013.
|
| Colección: | African expressive cultures.
Ethnomusicology multimedia. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Plageman, Nate, |d 1978- | |
| 245 | 1 | 0 | |a Highlife Saturday night : |b popular music and social change in urban Ghana / |c Nate Plageman. |
| 260 | |a Bloomington : |b Indiana University Press, |c 2013. | ||
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a African expressive cultures | |
| 490 | 1 | |a Ethnomusicology multimedia | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references, discography, and index. | ||
| 505 | 0 | |a Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970. | |
| 520 | |a Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band ""highlife"" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Dance music |x Social aspects |z Ghana. | |
| 650 | 0 | |a Highlife (Music) |z Ghana |x History and criticism. | |
| 651 | 0 | |a Ghana |x Social conditions. | |
| 650 | 6 | |a Danse, Musique de |x Aspect social |z Ghāna. | |
| 650 | 6 | |a Highlife (Musique) |z Ghāna |x Histoire et critique. | |
| 651 | 6 | |a Ghāna |x Conditions sociales. | |
| 650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Africa |x West. |2 bisacsh | |
| 650 | 7 | |a Dance music |x Social aspects. |2 fast |0 (OCoLC)fst00887541 | |
| 650 | 7 | |a Highlife (Music) |2 fast |0 (OCoLC)fst00956567 | |
| 650 | 7 | |a Social conditions |2 fast |0 (OCoLC)fst01919811 | |
| 651 | 7 | |a Ghana. |2 fast |0 (OCoLC)fst01208741 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |z 9780253007254 |z 0253007259 |w (DLC) 2012026045 |
| 830 | 0 | |a African expressive cultures. | |
| 830 | 0 | |a Ethnomusicology multimedia. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt16gzczp |z Texto completo |
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