Dividing lines : class anxiety and postbellum black fiction /

Mostrar otras versiones (1)

The author explores how African American literature in the late 19th century represents class divisions among Black Americans. By portraying complex, highly stratified communities with a growing Black middle class, authors dispelled popular notions that Black Americans were uniformly poor or uncivil...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Williams, Andreá N.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2012]
Colección:Class, culture.
Temas:
American fiction > African American authors > History and criticism.
Social classes in literature.
Social status in literature.
Roman américain > Auteurs noirs américains > Histoire et critique.
Classes sociales dans la littérature.
Statut social dans la littérature.
LITERARY CRITICISM > American > General.
SOCIAL SCIENCE > Social Classes.
American fiction > African American authors.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction : Contending classes, dividing lines
  • The language of class : taxonomy and respectability in Frances E.W. Harper's Trial and triumph and Iola Leroy
  • Working through class : the Black body, labor, and leisure in Sutton Griggs's Overshadowed
  • Mapping class difference : space and social mobility in Paul L. Dunbar's short fiction
  • Blood and the mark of class : Pauline Hopkins's genealogies of status
  • Classing the color line : class-passing, antiracism, and Charles W. Chesnutt
  • Epilogue : beyond the talented tenth.

Ejemplares similares