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|a De la Durantaye, Leland.
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|a Style is matter :
|b the moral art of Vladimir Nabokov /
|c Leland de la Durantaye.
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|a Ithaca :
|b Cornell University Press,
|c 2007.
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|a 1 online resource (viii, 211 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references (pages 197-207) and index.
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|a Cruelty, or, Nabokov's reader -- The reality of the author -- The criminal artist -- Safely solipsizing -- Anesthesia -- Humbert's green lane -- A riddle with an elegant solution -- The particularity of literature -- Lexicomania -- The fine fabric of deceit -- The figure in the magic carpet.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a "Focusing on Lolita but also addressing other major works (especially Speak, Memory and Pale Fire), the author asks whether the work of this writer whom many find cruel contains a moral message and, if so, why that message is so artfully concealed. Style Is Matter places Nabokov's work once and for all into dialogue with some of the most basic issues concerning the ethics of writing and of reading itself." "De la Durantaye argues that Humbert's narrative confession artfully seduces the reader into complicity with his dark fantasies and even darker acts until the very end, where he expresses his bitter regret for what he has done. In this sense, Lolita becomes a study in the danger of art, the artist's responsibility to the real world, and the perils and pitfalls of reading itself. De la Durantaye also draws on Nabokov's nonfiction writings to explore his belief that all genuine art is deceptive-as is nature itself Through de la Durantaye's writing, we see that Nabokov learned valuable lessons in mimicry and camouflage from the intricate patterns of the butterflies he adored."--Jacket
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|a English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Nabokov, Vladimir Vladimirovich,
|d 1899-1977
|x Ethics.
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|a Nabokov, Vladimir Vladimirovich,
|d 1899-1977
|x Aesthetics.
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|a Nabokov, Vladimir Vladimirovich,
|d 1899-1977
|x Aesthetics.
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|a Nabokov, Vladimir Vladimirovich,
|d 1899-1977
|x Ethics.
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|a Nabokov
|x Vladimir Vladimirovich
|x 1899-1977
|x Ethics.
|2 blmlsh
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|a Nabokov
|x Vladimir Vladimirovich
|x 1899-1977
|x Aesthetics.
|2 blmlsh
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|a Nabokov, Vladimir Vladimirovich,
|d 1899-1977
|2 fast
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|a Nabokov, Vladimir Vladimirovič
|d 1899-1977
|2 gnd
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|a Nabokov, Vladimir V.
|2 swd
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|a Moral conditions in literature.
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|a Ethics in literature.
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|a Conditions morales dans la littérature.
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|a Morale dans la littérature.
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a Aesthetics
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|a Moral conditions in literature
|2 fast
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|a Ethik
|2 gnd
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|a Lolita (Nabokov)
|2 gtt
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|a Ethiek.
|2 gtt
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|a Dilemma's.
|2 gtt
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|i Print version:
|a De la Durantaye, Leland.
|t Style is matter.
|d Ithaca : Cornell University Press, 2007
|w (DLC) 2007005919
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856 |
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctt1xx47v
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