Turkish German cinema in the new millennium : sites, sounds, and screens /

In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewr...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Hake, Sabine, 1956-, Mennel, Barbara Caroline
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Berghahn Books, 2012.
Edición:1st ed.
Colección:Film Europa.
Temas:
2000-2099
Motion pictures > Germany > History > 21st century.
Motion pictures, Turkish > Germany > History > 21st century.
Foreign language films > Germany > History > 21st century.
Stereotypes (Social psychology) in motion pictures.
Culture in motion pictures.
Motion pictures and transnationalism.
Motion picture audiences > Germany.
Culture au cinéma.
Films en langues étrangères > Allemagne > Histoire > 21e siècle.
Cinéma > Publics > Allemagne.
Cinéma et transnationalisme.
Cinéma > Allemagne > Histoire > 21e siècle.
Stéréotypes au cinéma.
ART > Film & Video.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Culture in motion pictures
Foreign language films
Motion picture audiences
Motion pictures
Motion pictures and transnationalism
Motion pictures, Turkish
Stereotypes (Social psychology) in motion pictures
Türken
Film
Cinéma > Allemagne > Histoire et critique > 21e siècle.
Cinéma turc > Allemagne > Histoire et critique > 21e siècle.
Films en langues étrangères > Allemagne > Histoire et critique > 21e siècle.
Stéréotype (psychologie) > Au cinéma.
Transnationalisme.
Germany
Deutschland
History
Aufsatzsammlung.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom
  • David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave
  • Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon
  • MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back
  • Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films
  • Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba
  • Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans
  • Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator
  • INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema
  • Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities
  • Karolin Machtans: The perception and marketing of Fatih Akin in the German press
  • Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press
  • THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on
  • Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen
  • Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore.

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