Better left unsaid : Victorian novels, Hays Code films, and the benefits of censorship /

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This study defendins censorship from the central allegations that are traditionally levelled against it. Taking two genres generally presumed to have been stymied by the censor's knife - the Victorian novel and classical Hollywood film - it reveals the varied ways in which censorship, for all i...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gilbert, Nora (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, California : Stanford Law Books, an imprint of Stanford University Press, [2013]
Colección:Cultural lives of law.
Temas:
1800-1999
English fiction > 19th century > Censorship.
Fiction > Censorship > Great Britain > History > 19th century.
Motion pictures > Censorship > United States > History > 20th century.
Literature and morals > History > 19th century.
Motion pictures > Moral and ethical aspects > United States.
Censorship > Great Britain > History > 19th century.
Censorship > United States > History > 20th century.
Roman anglais > 19e siècle > Censure.
Roman > Censure > Grande-Bretagne > Histoire > 19e siècle.
Cinéma > Censure > États-Unis > Histoire > 20e siècle.
Littérature et morale > Histoire > 19e siècle.
Cinéma > Aspect moral > États-Unis.
BUSINESS & ECONOMICS > Infrastructure.
SOCIAL SCIENCE > General.
LITERARY COLLECTIONS > General.
Censorship
Fiction > Censorship
Literature and morals
Motion pictures > Censorship
Motion pictures > Moral and ethical aspects
Englisch
Roman
Zensur
Film
Great Britain
United States
USA
Großbritannien
Electronic books.
History
Acceso en línea:Texto completo

MARC

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490 1 |a The cultural lives of law 
505 0 |a Introduction : the joy of censorship -- The sounds of silence : W.M. Thackeray and Preston Sturges -- For sophisticated eyes only : Jane Austen and George Cukor -- Beyond censorship : Charles Dickens and Frank Capra -- The thrill of the fight : Charlotte Brontë and Elia Kazan -- Postscript : Oscar Wilde and Mae West. 
504 |a Includes bibliographical references and index. 
520 8 |a This study defendins censorship from the central allegations that are traditionally levelled against it. Taking two genres generally presumed to have been stymied by the censor's knife - the Victorian novel and classical Hollywood film - it reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them. 
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