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Music and its referential systems /
Hauptbeschreibung How can we define the referential systems by which music is determined and through which music gets its own sense and meaning? What is the relation between these systems? Such questions are of particular weight in relation to current music practices, characterized by a great many o...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Wien :
Hollitzer Wissenschaftsverlag,
2012.
|
| Colección: | Specula Spectacula ;
3. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Music and its referential systems / |c edited by Matjaž Barbo, Thomas Hochradner. |
| 260 | |a Wien : |b Hollitzer Wissenschaftsverlag, |c 2012. | ||
| 300 | |a 1 online resource (338 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Specula Spectacula ; |v 3 | |
| 505 | 0 | |a Musical autonomy as a referential system / Mario Vieira de Carvalho -- Systems of Values in Diverse Aesthetic Realities / Matjaž Barbo -- The human perception of music : the most intricate and complex referential system / Karmen Salmič-Kovačič -- Max Weber's theory of music development : evolution and rationalization of music / Ana Petrov -- Education of the masses, or the patient continuity of a referential system : Eberhard Preußner's writings on music history / Thomas Hochradner -- Between nature and culture : a note on David Huron's "Musicological repercussion" / Leon Stefanija -- The referential in acousmatic music / Robert J. Dow -- The change from cultural practice to aesthetic practice: Gregorian chant as an example / Michael Walter -- The eschatological meaning of music and the eschatological function of liturgy : Ernst Bloch's philosophy and eschatology of orthodox Christianity / Olga Jokić -- The musical-historical concept of romanticism : a scientifically applicable label? / Katarina Bogunović Hočevar -- The question of referential frameworks in Wagner's music dramas / Gregor Pompe -- Schoenberg and the overtones : evolving the ear, shaping the history / Srdan Atanasovski -- Yesterday's art, tomorrow's world / Lubomír Spurný -- The music of Hanning Schröder (1896-1987) : between autonomy and function and between twelve-tone technique and new objectivity / Nico Schüler -- Culture as reference in the "Gagaku" of Messiaen's Sept Haïkaï (1962) / Cheong Wai Ling -- Symbols of faith in metaliturgical discourse: the case of Messiaen / Igor Radeta -- "Spectral" aspects in Neville Hall's compositional thinking / Larisa Vrhunc -- Film music beyond stigmatisation with effects / Anna Gadzinski -- How not to turn film music into a musical work : towards sociological approach to film music / Maja Vasiljević -- RTV Slovenia Symphony Orchestra's management from 1955 to 1963 / Tjaša Ribizel -- Folk music on Radio Belgrade : a turning point in the recording practice and promotion of village folk singing / Milica Simić -- Rock music as an alternative space in Serbia during the sixties : the case of Radio Belgrade / Jelena Arnqutović -- Alternative music in Yugoslavia in the 1980's and the concept of its ideology / Julijana Zhabeva-Papazova. | |
| 520 | |a Hauptbeschreibung How can we define the referential systems by which music is determined and through which music gets its own sense and meaning? What is the relation between these systems? Such questions are of particular weight in relation to current music practices, characterized by a great many of analytical procedures and hermeneutical views. The questions raised open a series of different thematic fields presented in this book. The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Music |y 18th century |x History and criticism. | |
| 650 | 0 | |a Music |y 19th century |x History and criticism. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |y 18e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 648 | 7 | |a 1700-1899 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Barbo, Matjaž, |d 1965- |e editor. | |
| 700 | 1 | |a Hochradner, Thomas, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Barbo, Matjaz. |t Music and Its Referential Systems. |d : Hollitzer Wissenschaftsverlag, ©2012 |
| 830 | 0 | |a Specula Spectacula ; |v 3. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv6jmtsp |z Texto completo |
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