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Philip Kaufman /
American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpie...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
c2012.
|
| Colección: | Contemporary film directors.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Insdorf, Annette. | |
| 245 | 1 | 0 | |a Philip Kaufman / |c Annette Insdorf. |
| 260 | |a Urbana : |b University of Illinois Press, |c c2012. | ||
| 300 | |a 1 online resource (xi, 159 p.). | ||
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| 490 | 1 | |a Contemporary film directors | |
| 504 | |a Includes bibliographical references (p. [147]-159), filmography (p. [141]-145), and index. | ||
| 505 | 0 | |a An eye for an "I". Sexual and artistic freedom -- Male relationships and codes of honor -- Fallible perception and trust -- Interview with Philip Kaufman. | |
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 520 | |a American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway & Gellhorn (premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen._x000B__x000B_In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works. | ||
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| 600 | 1 | 0 | |a Kaufman, Philip, |d 1936- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Kaufman, Philip, |d 1936- |2 fast |0 (OCoLC)fst01926497 |
| 600 | 1 | 7 | |a Kaufman, Philip, |d 1936- |2 fast/nic/nac |
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| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |t Philip Kaufman |d Urbana : University of Illinois Press, c2012. |z 9780252036859 (hardcover : alk. paper) |w (DLC) 2011034120 |
| 830 | 0 | |a Contemporary film directors. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5406/j.ctt3fh53s |z Texto completo |
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