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|2 22
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|a UAMI
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100 |
1 |
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|a Catanese, Brandi Wilkins,
|d 1974-
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245 |
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|a The problem of the color(blind) :
|b racial transgression and the politics of black performance /
|c Brandi Wilkins Catanese.
|
264 |
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1 |
|a Ann Arbor :
|b University of Michigan Press,
|c [2011]
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|a 1 online resource.
|
336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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347 |
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|a data file
|2 rda
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490 |
1 |
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|a Theater--theory/text/performance
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|a Includes bibliographical references and index.
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0 |
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|a Bad manners : talking about race -- The end of race or the end of blackness? : August Wilson, Robert Brustein, and color-blind casting -- The limits of color blindness : interracial sexuality, Denzel Washington, and Hollywood film -- Transgressing tradition : Suzan-Lori Parks and black performance (as) theory -- Are we there yet? : race, redemption, and black. White.
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|a Description based on print version record.
|
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Are we a multicultural nation, or a colorblind one?The Problem of the Color[blind]examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting--choosing actors without regard to race--assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located--in the eyes of the spectator, in the body of the performer, in the medium of the performance?
|
533 |
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|a Electronic reproduction.
|b [Place of publication not identified]:
|c HathiTrust Digital Library.
|d 2021.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
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|a digitized
|c 2021.
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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0 |
|a African Americans in the performing arts.
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650 |
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0 |
|a African Americans in motion pictures.
|
650 |
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0 |
|a African Americans
|x Race identity.
|
650 |
|
0 |
|a Performing arts
|x Social aspects
|z United States.
|
650 |
|
0 |
|a Motion pictures
|x Social aspects
|z United States.
|
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|
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|a United States
|x Race relations.
|
650 |
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6 |
|a Noirs américains dans les arts du spectacle.
|
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|a Noirs américains au cinéma.
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|a Noirs américains
|x Identité ethnique.
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|a Arts du spectacle
|x Aspect social
|z États-Unis.
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|a Cinéma
|x Aspect social
|z États-Unis.
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|
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|a États-Unis
|x Relations raciales.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
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|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
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650 |
|
7 |
|a African Americans in motion pictures.
|2 fast
|0 (OCoLC)fst00799733
|
650 |
|
7 |
|a African Americans in the performing arts.
|2 fast
|0 (OCoLC)fst00799740
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650 |
|
7 |
|a African Americans
|x Race identity.
|2 fast
|0 (OCoLC)fst00799666
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650 |
|
7 |
|a Motion pictures
|x Social aspects.
|2 fast
|0 (OCoLC)fst01027384
|
650 |
|
7 |
|a Performing arts
|x Social aspects.
|2 fast
|0 (OCoLC)fst01057933
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650 |
|
7 |
|a Race relations.
|2 fast
|0 (OCoLC)fst01086509
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651 |
|
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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|a Ethnische Beziehung.
|2 idszbz
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|a Soziale Identität.
|2 idszbz
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|a Schwarze.
|2 idszbz
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|a Gesellschaft.
|2 idszbz
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|a Darstellende Kunst.
|2 idszbz
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|a Film.
|2 idszbz
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|a USA.
|2 idszbz
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776 |
0 |
8 |
|i Print version:
|t The problem of the color(blind)
|d Ann Arbor : University of Michigan Press, c2011.
|z 9780472071265 (cloth : acid-free paper)
|w (DLC) 2010043128
|
830 |
|
0 |
|a Theater--theory/text/performance.
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3998/mpub.368267
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