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Brutal vision : the neorealist body in postwar Italian cinema /

Film history identifies Italian neorealism as the exemplar of national cinema, a specifically domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films-including such classics as Rome, Open City; Paisan; Shoeshine; and Bicycle Thieves -should b...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schoonover, Karl
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2012.
Colección:JSTOR EBA.
Temas:
Acceso en línea:Texto completo
Descripción
Sumario:Film history identifies Italian neorealism as the exemplar of national cinema, a specifically domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films-including such classics as Rome, Open City; Paisan; Shoeshine; and Bicycle Thieves -should be understood less as national products and more as complex agents of a postwar reorganization of global politics. For these films, cinema facilitates the liberal humanist sympathy required to usher in a new era of world stability. In his readings of crucial films and newly discovered documents from.
Descripción Física:1 online resource (xxxiii, 283 pages) : illustrations
Bibliografía:Includes bibliographical references and index.
ISBN:9780816680245
0816675546
9780816675548
0816675554
9780816675555
0816680248
9781452947563
1452947562