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|2 23
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|a UAMI
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100 |
1 |
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|a Alward, Peter Wallace,
|d 1964-
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245 |
1 |
0 |
|a Empty revelations :
|b an essay on talk about, and attitudes toward fiction /
|c Peter Alward.
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260 |
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|a Montreal :
|b McGill-Queen's University Press,
|c 2012.
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300 |
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|a 1 online resource (x, 205 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Part one : Two Authors and Readers -- Negative -- 1 Compositional Speech Acts -- 2 Reader Engagement -- Part Two : Authors and Readers -- Positive -- 3 Word-Sculpture -- 4 Narrative Informants -- Part Three : Fictional Names and Fictional Talk -- 5 Empty Revelations -- 6 Fictional Discourse -- Conclusion.
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546 |
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|a English.
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|a What mysteries lie at the heart of fiction's power to enchant and engage the mind? Empty Revelations considers a number of philosophical problems that fiction raises, including the primary issue of how we can think and talk about things that do not exist. Peter Alward covers thought-provoking terrain, exploring fictional truth, the experience of being "caught up" in a story, and the boundaries between fiction and non-fiction. At the centre of Alward's argument is a figure known as the "narrative informant" who mediates the reader's encounter with fictional events through - sometimes unreliable - reporting. Developing a theory in which the author is a sculptor who constructs works of fiction out of words, Alward demonstrates that much of the confusion about fiction stems from a failure to properly distinguish between writing fiction and telling stories. Combining clarity, philosophical sophistication, ingenuity, and originality, Empty Revelations is a rewarding read for both scholars of philosophy and anyone interested in the complex ways that fiction works.
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Discourse analysis, Narrative.
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650 |
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|a Discourse analysis, Literary.
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650 |
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|a Fiction
|x Technique.
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650 |
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|a Fiction
|x History and criticism.
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650 |
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6 |
|a Discours narratif.
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650 |
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|a Discours littéraire.
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650 |
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6 |
|a Roman
|x Histoire et critique.
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650 |
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|a literary criticism.
|2 aat
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650 |
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7 |
|a LANGUAGE ARTS & DISCIPLINES
|x Composition & Creative Writing.
|2 bisacsh
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650 |
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7 |
|a LANGUAGE ARTS & DISCIPLINES
|x Rhetoric.
|2 bisacsh
|
650 |
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7 |
|a REFERENCE
|x Writing Skills.
|2 bisacsh
|
650 |
|
7 |
|a PHILOSOPHY
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Discourse analysis, Literary
|2 fast
|
650 |
|
7 |
|a Discourse analysis, Narrative
|2 fast
|
650 |
|
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|a Fiction
|2 fast
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650 |
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7 |
|a Fiction
|x Technique
|2 fast
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655 |
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|a Electronic books.
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Alward, Peter.
|t Empty Revelations : An Essay on Talk about, and Attitudes toward, Fiction.
|d Montreal : MQUP, ©2014
|z 9780773540385
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1pq100
|z Texto completo
|
938 |
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