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One world, big screen : Hollywood, the Allies, and World War II /
World War II coincided with cinema's golden age. Movies now considered classics were created when all sides in the war were coming to realize the great power of popular films to motivate the masses. Through multinational research, this book reveals how the Grand Alliance - Britain, China, the S...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
The University of North Carolina Press,
[2012]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bennett, M. Todd, |e author. | |
| 245 | 1 | 0 | |a One world, big screen : |b Hollywood, the Allies, and World War II / |c M. Todd Bennett. |
| 264 | 1 | |a Chapel Hill : |b The University of North Carolina Press, |c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (xiii, 362 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 275-342) and index. | ||
| 505 | 0 | |a Introduction -- The "magic bullet": Hollywood, Washington, and the moviegoing public -- "Pro-British-American war preachers": internationalism at the movies, 1939-1941 -- One world, big screen: the United Nations and American horizons -- Kissing cousins: how Anglo-American relations became "special" -- Courting Uncle Joe: the theatrics of Soviet-American matrimony -- Negotiating the color divide: race and U.S. paternalism toward China -- Conclusion. | |
| 520 | 8 | |a World War II coincided with cinema's golden age. Movies now considered classics were created when all sides in the war were coming to realize the great power of popular films to motivate the masses. Through multinational research, this book reveals how the Grand Alliance - Britain, China, the Soviet Union, and the United States - tapped Hollywood's impressive power to shrink the distance and bridge the differences that separated them. The Allies, it shows, strategically manipulated cinema in an effort to promote the idea that the UN was a family of nations joined by blood and affection. | |
| 546 | |a English. | ||
| 588 | 0 | |a Online resource (HeinOnline, viewed August 3, 2021). | |
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| 650 | 0 | |a World War, 1939-1945 |x Motion pictures and the war. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |x Political aspects |z United States |x History |y 20th century. | |
| 650 | 6 | |a Guerre mondiale, 1939-1945 |x Cinéma et guerre. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Aspect politique |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
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| 650 | 7 | |a War and motion pictures |2 fast | |
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| 647 | 7 | |a World War |d (1939-1945) |2 fast |0 (OCoLC)fst01180924 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Bennett, M. Todd. |t One world, big screen. |d Chapel Hill : The University of North Carolina Press, ©2012 |z 9780807835746 |w (DLC) 2012011965 |w (OCoLC)783520921 |
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