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Knock me up, knock me down : images of pregnancy in Hollywood films /
The image of a heavily pregnant woman, once considered ugly and indecent, is now common to Hollywood film. Kelly Oliver investigates this curious shift and its reflection of changing attitudes toward women's roles in reproduction and the family. Reading various films, the book investigates preg...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
©2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Oliver, Kelly, |d 1958- | |
| 245 | 1 | 0 | |a Knock me up, knock me down : |b images of pregnancy in Hollywood films / |c Kelly Oliver. |
| 260 | |a New York : |b Columbia University Press, |c ©2012. | ||
| 300 | |a 1 online resource (232 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a text file | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: from shameful to sexy -- pregnant bellies exploding onto the screen -- Academic feminism versus Hollywood feminism: how modest maternity becomes pregnant glam -- MomCom as RomCom: pregnancy as a vehicle for romance -- Accident and excess: the "choice" to have a baby -- Pregnant horror: gestating the other(s) within -- "What's the worst that can happen?" techno-pregnancies versus real pregnancies -- Conclusion: Twilight family values. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a The image of a heavily pregnant woman, once considered ugly and indecent, is now common to Hollywood film. Kelly Oliver investigates this curious shift and its reflection of changing attitudes toward women's roles in reproduction and the family. Reading various films, the book investigates pregnancy as a vehicle for romance, a political issue of choice, a representation of the hosting of others, a prism for fears of miscegenation, and a screen for modern technological anxieties. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Pregnancy in motion pictures. | |
| 650 | 0 | |a Motion pictures |z United States. | |
| 650 | 0 | |a Feminist theory. | |
| 650 | 6 | |a Grossesse au cinéma. | |
| 650 | 6 | |a Cinéma |z États-Unis. | |
| 650 | 6 | |a Théorie féministe. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Feminist theory |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Pregnancy in motion pictures |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Oliver, Kelly, 1958- |t Knock me up, knock me down. |d New York : Columbia University Press, ©2012 |z 9780231161084 |w (DLC) 2012014208 |w (OCoLC)793099476 |
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