Cargando…
Art and pluralism : Lawrence Alloway's cultural criticism /
This book examines the writings of Lawrence Alloway (1926-1990), one of the most influential and widely-respected art writers of the post-War years. Art and Pluralism provides a close and critical reading of Alloway's writings, and sets his work in the cultural and political context of the Lond...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Liverpool :
Liverpool University Press,
2012.
|
| Colección: | Value, art, politics.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Machine generated contents note: Section A Introduction
- 1. Alloway and pluralism
- 2. Background
- 3. British art scene
- 4. Early career
- Section B Continuum, 1952
- 1961
- 1. Art criticism, 1951-1952
- 2. ICA in the early 1950s
- 3. Independent Group: aesthetic problems
- 4. Independent Group: popular culture
- 5. Art criticism, 1953
- 1955
- 6. Alloway and abstraction
- 7. Alloway and figurative art
- 8. This Is Tomorrow, 1956
- 9. Information Theory
- 10. Group 12 and Information Theory
- 11. Science fiction
- 12. cultural continuum model
- 13. Writings about the movies
- 14. Graphics and advertising
- 15. Design
- 16. Architecture and the city
- 17. Channel flows
- 18. Art autre
- 19. human image
- 20. Modern Art in the United States, 1956
- 21. Action Painting
- 22. First trip to the USA
- 23. New American Painting, 1958
- 24. Alloway and Greenberg
- 25. Cold wars
- 26. British art and the USA: The Middle Generation
- 27. younger generation and the avant-garde
- 28. Hard Edge
- 29. Place and the avant-garde, 1959
- 30. Situation and its legacy
- 31. emergence of Pop art
- 32. Alloway's departure
- Section C Abundance, 1961
- 1971
- 1. Arrival in the USA and "Clemsville"
- 2. Junk art
- 3. American Pop
- 4. Curator at the Guggenheim
- 5. Six Painters and the Object and Six More, 1963
- 6. Other writings on Pop
- 7. Art as human evidence
- 8. Alexander Liberman and Paul Feeley
- 9. Systemic Painting, 1966
- 10. Abstraction and iconography
- 11. communications network
- 12. Departure from the Guggenheim
- 13. Exile in Carbondale
- 14. Arts Magazine
- 15. Venice Biennale
- 16. Return to New York: SVA, SUNY, and The Nation
- 17. Options
- 18. Expanding and disappearing works of art
- 19. Alloway's Nation criticism
- 20. Newness and the avant-garde
- 21. Post-Minimal radicalism
- 22. Historical revisions: Abstract Expressionism and Picasso
- 23. Mass communications
- 24. Film criticism
- 25. Violent America
- 26. Pluralism as a "unifying theory"
- Section D Alternatives, 1971-1988
- 1. Disorientation and dissent in the art world
- 2. Alloway and the politicization of art, 1968-1970
- 3. Changing values, 1971-1972
- 4. Art/brunt and the art world as a system
- 5. 1973 and a new pluralism
- 6. uses and limits of art criticism
- 7. Criticism and women's art, 1972-1974
- 8. Women's art and criticism, 1975
- 9. realist "renewal"
- 10. Photo-Realism
- 11. realist "revival"
- 12. Realist revisionism
- 13. decline of the avant-garde
- 14. "Legitimate variables"
- 15. Earth art
- 16. Public art
- 17. In praise of plenty
- 18. Crises in the art world: criticism
- 19. Crises in the art world: feminism
- 20. Crises in the art world: curatorship
- 21. co-ops and "alternative" spaces
- 22. Turn of the decade decline
- 23. Mainstream
- 24. and "alternative"
- 25. last years
- 26. complex present
- Section E Summary and Conclusion
- 1. Pluralism
- 2. "Post-Modernism"
- 3. Art history
- 4. Art criticism
- 5. Alloway's reputation
- 6. Art
- 7. legacy of pluralism.