Rationalizing culture : IRCAM, Boulez, and the institutionalization of the musical avant-garde /
As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of th...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Berkeley, Calif. ; London :
University of California Press,
©1995.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- 1. Themes and Debates
- 2. Prehistory: Modernism, Postmodernism, and Music
- 3. Background: IRCAM's Conditions of Existence
- 4. The Institution of IRCAM: Culture and Status
- 5. Power, Institutional Conflict, Politics
- 6. Music: Uncertainty, the Canon, and Dissident Musics
- 7. Science, Technology, the Music Research Vanguard
- 8. A Composer's Visit: Mediations and Practices
- 9. Aporias: Technological and Social Problems around Production
- 10. Subjectivities: Difference and Fragmentation
- 11. Conclusions: IRCAM, Cultural Power, and the Reproduction of Aesthetic Modernism
- Appendix: IRCAM Workers and Visitors as Introduced in the Text, by Acronym.