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Rationalizing culture : IRCAM, Boulez, and the institutionalization of the musical avant-garde /
As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley, Calif. ; London :
University of California Press,
©1995.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Born, Georgina. | |
| 245 | 1 | 0 | |a Rationalizing culture : |b IRCAM, Boulez, and the institutionalization of the musical avant-garde / |c Georgina Born. |
| 260 | |a Berkeley, Calif. ; |a London : |b University of California Press, |c ©1995. | ||
| 300 | |a 1 online resource (xv, 390 pages, 8 unnumbered pages of plates) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | 8 | |a As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992. | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a 1. Themes and Debates -- 2. Prehistory: Modernism, Postmodernism, and Music -- 3. Background: IRCAM's Conditions of Existence -- 4. The Institution of IRCAM: Culture and Status -- 5. Power, Institutional Conflict, Politics -- 6. Music: Uncertainty, the Canon, and Dissident Musics -- 7. Science, Technology, the Music Research Vanguard -- 8. A Composer's Visit: Mediations and Practices -- 9. Aporias: Technological and Social Problems around Production -- 10. Subjectivities: Difference and Fragmentation -- 11. Conclusions: IRCAM, Cultural Power, and the Reproduction of Aesthetic Modernism -- Appendix: IRCAM Workers and Visitors as Introduced in the Text, by Acronym. | |
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| 610 | 2 | 0 | |a IRCAM (Research institute : France) |
| 600 | 1 | 6 | |a Boulez, Pierre, |d 1925- |x Influence. |
| 610 | 2 | 6 | |a IRCAM (Institut de recherche : France) |
| 600 | 1 | 7 | |a Boulez, Pierre, |d 1925-2016. |2 fast |0 (OCoLC)fst00014455 |
| 610 | 2 | 7 | |a IRCAM (Research institute : France) |2 fast |0 (OCoLC)fst00578440 |
| 610 | 2 | 7 | |a Institut de Recherche et de Coordination Acoustique, Musique |2 gnd |
| 600 | 1 | 7 | |a Boulez, Pierre. |2 swd |
| 650 | 0 | |a Avant-garde (Music) |x Social aspects. | |
| 650 | 0 | |a Computer music |x Social aspects. | |
| 650 | 0 | |a Research institutes |x Anthropological aspects |z France. | |
| 650 | 0 | |a Avant-garde (Music) | |
| 650 | 0 | |a Musicology |x Social aspects. | |
| 650 | 6 | |a Musique expérimentale |x Aspect social. | |
| 650 | 6 | |a Centres de recherche |z France |x Aspect anthropologique. | |
| 650 | 6 | |a Musique expérimentale. | |
| 650 | 6 | |a Musicologie |x Aspect social. | |
| 650 | 6 | |a Centres de recherche |x Aspect anthropologique |z France. | |
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