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Composing the citizen : music as public utility in Third Republic France /

In a work that challenges modernists ideas about the value and role of music in Western society, 'Composing the Citizen' demonstrates how music can help forge a nation.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Pasler, Jann (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley, Calif. ; London : University of California Press, 2009.
Colección:Ahmanson Foundation book in the humanities.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Pasler, Jann,  |e author. 
245 1 0 |a Composing the citizen :  |b music as public utility in Third Republic France /  |c Jann Pasler. 
260 |a Berkeley, Calif. ;  |a London :  |b University of California Press,  |c 2009. 
300 |a 1 online resource (xxi, 789 pages) :  |b illustrations, maps 
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490 1 |a An Ahmanson foundation book in the humanities 
500 |a "An Ahmanson Foundation Book in the Humanities." 
520 8 |a In a work that challenges modernists ideas about the value and role of music in Western society, 'Composing the Citizen' demonstrates how music can help forge a nation. 
588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; Title; Copyright; Contents; Acknowledgments; Introduction. Paris: A Walking Tour; Topographies of Power: The Semiotics of the Parisian Landscape; Negotiating Life in the City; New Promenades in the Aural Landscapes of Paris; The Legacy of the Third Republic; PART ONE: FORMING PUBLIC SPIRIT AND USEFUL CITIZENS; 1 Use, the Useful, and Public Utility: A Theory of Musical Value; Tensions between the Useful and the Beautiful; Satisfying Social Needs and Creating the Nation; Music as Utilité Publique; 2 Reinscribing the Revolutionary Legacy; Public Instruction of Mind and Heart. 
505 8 |a Music in Public FestivalsNational Institutions; Music, Character, and the Utility of Gender; PART TWO: SHAPING JUDGMENT AND NATIONAL TASTE; 3 Music as Political Culture: From Active Listening to Active Citizenship; Political Legitimacy and Civic Society; Republican Pedagogy, Cultural Integration, and Citizenship; Performance and Public Taste under the Moral Order; 4 Regenerating National Pride: Musical Progress and International Glory; Moral and Musical Progress; Exporting French Music and French Values; Arts Policy and the Utility of Competition; Contradictions and Paradoxes. 
505 8 |a PART THREE: INSTITUTING REPUBLICAN CULTURE5 Imagining a New Nation through Music: New Traditions, New History; Enacting Change at Schools and the Opéra; Reevaluating Luxury and the Question of Opera; Renarrating the Revolution; Reconceiving Music History; 6 An Ideology of Diversity, Eclecticism, and Pleasure; Cultivating Aesthetic Tolerance; Redefining Music's Utilité Publique; Exploring Uncharted Territory; 7 Musical Hybridity and the Challenges of Colonialism; Musical Fantasies Fueling Colonialist Desire; Music and Colonial Assumptions; Songs Inspiring Resistance. 
505 8 |a 8 Useful Distractions and Economic Liberalism in the Belle EpoqueDepartment Stores; Competition in the Musical World; Expanded Performance Opportunities, Including for Women; Theater and Popular Entertainment; PART FOUR: SHIFTING NOTIONS OF UTILITY: BETWEEN THE NATION AND THE SELF; 9 Music as Resistance and an Emerging Avant-garde; Reviving Memory of the Ancien Régime; Wagner's Threatening Allure; Art beyond Politics, Music of and for the Mind; Intuition and Radically New Concepts of Music; 10 The Symbolic Utility of Music at the 1889 Universal Exhibition; Republican Values on Display. 
505 8 |a The Utility of Exotic MusicThe Exhibition in Retrospect; 11 New Alliances and New Music; Mandating Change; The New Left's Hopes; The New Right's Progressism in Politics and Music; Revisiting Musique ancienne et moderne; 12 The Dynamics of Identity and the Struggle for Distinction; Race and French History; Listening through Women; Fusion versus Distinction; From the Useful to the Healthy; Coda; Appendix A. Important Political and Musical Events in the Early Third Republic; Appendix B. References in Ménestrel to Performances of French Operas Abroad, 1872-1888. 
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650 0 |a Music  |x Social aspects  |z France  |x History  |y 19th century. 
650 0 |a Music  |x Political aspects  |z France  |x History  |y 19th century. 
651 0 |a France  |x Social life and customs  |y 19th century. 
651 0 |a France  |x Politics and government  |y 1870-1940. 
650 6 |a Musique  |x Aspect social  |z France  |x Histoire  |y 19e siècle. 
650 6 |a Musique  |x Aspect politique  |z France  |x Histoire  |y 19e siècle. 
651 6 |a France  |x Mœurs et coutumes  |y 19e siècle. 
651 6 |a France  |x Politique et gouvernement  |y 1870-1940. 
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650 7 |a Music  |x Political aspects  |2 fast 
650 7 |a Music  |x Social aspects  |2 fast 
650 7 |a Politics and government  |2 fast 
651 7 |a France  |2 fast 
648 7 |a 1800-1940  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Pasler, Jann.  |t Composing the citizen.  |d Berkeley : University of California Press, ©2009  |z 9780520257405  |w (DLC) 2008029252  |w (OCoLC)233635072 
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