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|a GBA073118
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|a (OCoLC)808600679
|z (OCoLC)809168892
|z (OCoLC)973372352
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|b .B73 2000
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|a UAMI
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|a Brackett, David.
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|a Interpreting popular music /
|c David Brackett ; with a new preface by the author.
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|a Berkeley, Calif. ;
|a London :
|b University of California Press,
|c 2000.
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|a 1 online resource (xv, 260 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Originally published: Cambridge University Press, 1995.
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|a This title provides a study of American popular music, focusing on genre and cultural contexts. Individual chapters treat particular artists and the different genres and styles that they exemplify.
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|a Print version record.
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|a Includes bibliographical references and index.
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|a 1. Introduction -- I. Codes and competences -- II. Who is the author? -- III. Musicology and popular music -- IV. Postlude -- 2. Family Values in Music? Billie Holiday's and Bing Crosby's "I'll Be Seeing You" I.A tale of two (or three) recordings. II. Critical discourse. III. Biographical discourse. IV. Style and history. V. Performance, effect, and affect -- 3. When you're lookin' at Hank (you're looking at country). I. Lyrics, metanarratives, and the great authenticity debate. II. Sound, performance, gender, and the honky-tonk. III. "A feeling called the blues" IV. The emergence of "country-western" -- 4. James Brown's "Superbad" and the double-voiced utterance. I. The discursive space of black music. II. Signifyin(g) -- words and performance. III. Musical signifyin(g) -- 5. Writing, music, dancing, and architecture in Elvis Costello's "Pills and Soap" I. The "popular aesthetic" II. Style and aesthetics. III. Interpretation and (post)modern pop. IV. A question of influence.
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|a English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Popular music
|x History and criticism.
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|a Popular music
|x Analysis, appreciation.
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|a Songs, English
|x Analysis, appreciation.
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|a Musique populaire
|x Histoire et critique.
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|a Musique populaire
|x Analyse et appréciation.
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|a Chansons anglaises
|x Analyse et appréciation.
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|a MUSIC
|x General.
|2 bisacsh
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|a Popular music.
|2 fast
|0 (OCoLC)fst01071422
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|a Popular music
|x Analysis, appreciation.
|2 fast
|0 (OCoLC)fst01071424
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|a Musiksoziologie
|2 gnd
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|a Unterhaltungsmusik
|2 gnd
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|a Interpretation
|2 gnd
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1 |
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|a Populaire muziek.
|2 gtt
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1 |
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|a Popmuziek.
|2 gtt
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|z 9780520225411
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11hpsfz
|z Texto completo
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|a BATCHLOAD
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|a ProQuest Ebook Central
|b EBLB
|n EBL6199794
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|a EBSCOhost
|b EBSC
|n 2477583
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938 |
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|a Internet Archive
|b INAR
|n interpretingpopu00brac
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|a Oxford University Press USA
|b OUPR
|n EDZ0000084574
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|a YBP Library Services
|b YANK
|n 7585702
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|a 92
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