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Narrative interludes : musical tableaux in eighteenth-century French texts /

French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau?s controversial...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Cuillé, Tili Boon
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, 2005.
Colección:University of Toronto romance series.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Narrative interludes :  |b musical tableaux in eighteenth-century French texts /  |c Tili Boon Cuillé. 
260 |a Toronto :  |b University of Toronto Press,  |c 2005. 
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505 0 |a Tableau theory -- Music and language : La querelle des bouffons -- Diderot and musical mimesis -- Cazotte and reader re-creation -- Beaumarchais's staged songs -- Music and morality : La querelle des femmes -- Charrière's exercises in equivocation -- Cottin, Krüdener, and musical mesmerism -- Staël's sweet revenge. 
520 |a French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau?s controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuillé?s Narrative Interludes chronicles the emergence of the musical tableau in French literature.Spanning the latter half of the eighteenth century, Cuillé brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charrière, Cottin, Krüdener, and Staël. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text. 
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