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|a UAMI
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|a Cuillé, Tili Boon.
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|a Narrative interludes :
|b musical tableaux in eighteenth-century French texts /
|c Tili Boon Cuillé.
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|a Toronto :
|b University of Toronto Press,
|c 2005.
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|a 1 online resource (xxiv, 284 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a University of Toronto romance series
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Tableau theory -- Music and language : La querelle des bouffons -- Diderot and musical mimesis -- Cazotte and reader re-creation -- Beaumarchais's staged songs -- Music and morality : La querelle des femmes -- Charrière's exercises in equivocation -- Cottin, Krüdener, and musical mesmerism -- Staël's sweet revenge.
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|a French authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau?s controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuillé?s Narrative Interludes chronicles the emergence of the musical tableau in French literature.Spanning the latter half of the eighteenth century, Cuillé brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charrière, Cottin, Krüdener, and Staël. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Art and literature
|z France
|x History
|y 18th century.
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650 |
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|a Aesthetics, French
|y 18th century.
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650 |
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|a French literature
|y 18th century
|x History and criticism.
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650 |
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|a Opera
|z France
|x History and criticism.
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|a Music in literature.
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|a Art and literature
|z France
|x History
|y 19th century.
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|a Musique dans la littérature.
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|a Art et littérature
|z France
|x Histoire
|y 19e siècle.
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|a Esthétique française
|y 18e siècle.
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|a Littérature française
|y 18e siècle
|x Histoire et critique.
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|a Opéra
|z France
|x Histoire et critique.
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|a Art et littérature
|z France
|x Histoire
|y 18e siècle.
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|a DRAMA
|x Continental European.
|2 bisacsh
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|a LITERARY CRITICISM
|x European
|x French.
|2 bisacsh
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|a Music in literature.
|2 fast
|0 (OCoLC)fst01030552
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|a Aesthetics, French.
|2 fast
|0 (OCoLC)fst00798771
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|a Art and literature.
|2 fast
|0 (OCoLC)fst00815400
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|a French literature.
|2 fast
|0 (OCoLC)fst00934688
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|a Opera.
|2 fast
|0 (OCoLC)fst01046145
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|a France.
|2 fast
|0 (OCoLC)fst01204289
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|a Literatur
|2 gnd
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|a Musik
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|a Oper
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|a Buffonistenstreit
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|a Ästhetik
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|a Frankreich
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|a Kunst
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|a Muziek.
|2 gtt
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|a Bellettrie.
|2 gtt
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|a Frankrijk.
|2 gtt
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|a Französisch.
|2 swd
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|a 1700-1899
|2 fast
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|a Geschichte 1750-1800.
|2 swd
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|a Electronic books.
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Cuillé, Tili Boon.
|t Narrative interludes.
|d Toronto : University of Toronto Press, 2005
|z 0802038425
|w (OCoLC)64638369
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830 |
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0 |
|a University of Toronto romance series.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3138/9781442677524
|z Texto completo
|
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|b IDEB
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938 |
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|b YANK
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994 |
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