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Self, text, and romantic irony : the example of Byron /
Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic iss...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
1988.
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| Colección: | Princeton legacy library.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Garber, Frederick. | |
| 245 | 1 | 0 | |a Self, text, and romantic irony : |b the example of Byron / |c Frederick Garber. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c 1988. | ||
| 300 | |a 1 online resource (xv, 322 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Princeton Legacy Library | |
| 504 | |a Includes bibliographical references (pages 313-317) and index. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2012. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2012 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover ; Part 1. ; Part 2. ; Part 3. | |
| 520 | |a Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other. Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Byron, George Gordon Byron, |c Baron, |d 1788-1824 |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Byron |b George Gordon Byron. |
| 600 | 1 | 7 | |a Byron, George Gordon Byron, |c Baron, |d 1788-1824 |2 fast |
| 600 | 1 | 7 | |a Byron, George Gordon Byron, |d (1788-1824; |c baron) |x Humour. |2 ram |
| 600 | 1 | 7 | |a Byron, George Gordon Byron, |d (1788-1824; |c baron) |x Psychologie. |2 ram |
| 600 | 1 | 7 | |a Byron, George Gordon Byron, |d (1788-1824; |c baron) |x Critique et interprétation. |2 ram |
| 650 | 0 | |a Poetry |x Psychological aspects. | |
| 650 | 0 | |a Self in literature. | |
| 650 | 0 | |a Irony in literature. | |
| 650 | 0 | |a Romanticism. | |
| 650 | 6 | |a Poésie |x Aspect psychologique. | |
| 650 | 6 | |a Moi (Psychologie) dans la littérature. | |
| 650 | 6 | |a Ironie dans la littérature. | |
| 650 | 6 | |a Romantisme. | |
| 650 | 7 | |a romanticism (form of expression) |2 aat | |
| 650 | 7 | |a POETRY |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Irony in literature |2 fast | |
| 650 | 7 | |a Poetry |x Psychological aspects |2 fast | |
| 650 | 7 | |a Romanticism |2 fast | |
| 650 | 7 | |a Self in literature |2 fast | |
| 650 | 7 | |a Ironie (rhétorique) |x Dans la littérature. |2 ram | |
| 650 | 7 | |a Moi |x Dans la littérature. |2 ram | |
| 650 | 7 | |a Romantisme (mouvement littéraire) |z Grande-Bretagne. |2 ram | |
| 650 | 7 | |a Humour |x Dans la littérature. |2 ram | |
| 650 | 7 | |a Littérature anglaise |y 19e siècle |x Thèmes, motifs. |2 ram | |
| 653 | |a English poetry | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Garber, Frederick. |t Self, text, and romantic irony. |d Princeton, N.J. : Princeton University Press, 1988 |w (DLC) 87038494 |w (OCoLC)17354235 |
| 830 | 0 | |a Princeton legacy library. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt7zvx7s |z Texto completo |
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| 938 | |a Internet Archive |b INAR |n selftextromantic0000garb | ||
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