Retreat into the mind : Victorian poetry and the rise of psychiatry /

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Faas, Ekbert, 1938-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, ©1988.
Temas:
1800-1899
Geschichte 1837-1901.
Geschichte 1832-1902.
English poetry > 19th century > History and criticism.
Psychoanalysis and literature > Great Britain.
Psychology and literature > History > 19th century.
Psychiatry > Great Britain > History > 19th century.
Dramatic monologues > History and criticism.
Poetry > Psychological aspects.
Psychology in literature.
Psychoanalysis and literature > History > 19th century.
Poetry > history
Psychiatry > history
Poésie anglaise > 19e siècle > Histoire et critique.
Psychologie dans la littérature.
Psychologie et littérature > Histoire > 19e siècle.
Psychanalyse et littérature > Histoire > 19e siècle.
Monologues dramatiques (Poésie) > Histoire et critique.
Psychanalyse et littérature > Grande-Bretagne.
Poésie > Aspect psychologique.
POETRY > English, Irish, Scottish, Welsh.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
Dramatic monologues
English poetry
Poetry > Psychological aspects
Psychiatry
Psychoanalysis and literature
Psychology and literature
Psychology in literature
Lyrik
Psychiatrie
Psychologie
Dramatic monologue
Psychoanalyse
Gedichten.
Psychologie.
Psychoanalyse.
Great Britain
Englisch.
English poetry > History, 1837-1901
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • 1. Dramatic or psychological monologue?: The dramatic monologue and Victorian criticism
  • The dramatic monologue and its precedents
  • Psychological poetry and mental science
  • 2. The new mental science: Introspective psychology
  • Mesmerism
  • Psychological medicine
  • 3. The psychological school of poetry: beginnings: The evolution of the new genre
  • Critics and poets vis-a-vis mental scientists
  • The age of introspection
  • 4. The psychological school of poetry: origins: Robert Browning
  • Alfred Tennyson
  • From introspection to psycho-analysis
  • 5. Precedents I: the romantic "science of feelings": Self-analysis versus spontaneity
  • Unconscious creativity and its limits
  • Emotions recollected in tranquillity
  • Simulated spontaneity and self-dramatization
  • Toward the dramatic monologue
  • 6. Precedents II: Shakespeare: The linguistic and prosodic model
  • Shakespeare and the alienists
  • Shakespeare's psychology and pre-romantic criticism
  • 7. Dead end: Matthew Arnold: The search for the buried self
  • The greater romantic lyric In extremis
  • Matthew Arnold and psychology
  • Empedocles on Etna and spasmodic drama
  • Maud, or the way out of the impasse
  • 8. The psychological school of poetry: patterns: Opening, setting, and listener
  • Situation, action, and conclusion
  • Dramatic narrative and psychological revivification
  • 9. The psychological school of poetry: contents: Relativist versus traditional morality
  • The psychology of murder and suicide
  • The psychology of history
  • From reverie to insanity
  • From case history to surrealistic effusion
  • 10. Swinburne, or the psychopathology of poetic creation: Dramatizations of the perverse
  • Insane artists and alienist biographers
  • A poetics of madness and revolt
  • Epilogue: Toward a poète maudit aesthetic.

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