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|b C73 1993
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|a Craft-Fairchild, Catherine.
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|a Masquerade and gender :
|b disguise and female identity in eighteenth-century fictions by women /
|c Catherine Craft-Fairchild.
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|a University Park, Pa. :
|b Pennsylvania State University Press,
|c ©1993.
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|a 1 online resource (x, 190 pages)
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references (pages 175-184) and index.
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|a Aphra Behn's The Dumb virgin and Mary Davys's The Accomplished rake : the darker side of masquerade -- Eliza Haywood and the masquerade of femininity -- Elizabeth Inchbald's not so simple story -- Feminine excess : Frances Burney's The Wanderer.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2012.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2012
|h HathiTrust Digital Library
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|a Print version record.
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|a Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by male writers during the period: Addison, Steele, and Fielding all insisted that masquerade allowed women to usurp the privileges of men. Female authors, however, often mistrusted these claims, perceiving that masquerade's apparent freedoms were frequently nothing more than sophisticated forms of oppression. Catherine Craft-Fairchild's work provides a useful corrective to Castle's treatment of masquerade. She argues that, in fictions by Aphra Behn, Mary Davys, Eliza Haywood, Elizabeth Inchbald, and Frances Burney, masquerade is double-sided. It is represented in some cases as a disempowering capitulation to patriarchal strictures that posit female subordination. Often within the same text, however, masquerade is also depicted as an empowering defiance of the dominant norms for female behavior. Heroines who attempt to separate themselves from the image of womanhood they consciously construct escape victimization. In both cases, masquerade is the condition of femininity: gender in the woman's novel is constructed rather than essential. Craft-Fairchild examines the guises in which womanhood appears, analyzing the ways in which women writers both construct and deconstruct eighteenth-century cultural conceptions of femininity. She offers a careful and engaging textual analysis of both canonical and non-canonical eighteenth-century texts, thereby setting lesser-read fictions into a critical dialogue with more widely known novels. Detailed readings are informed throughout by the ideas of current feminist theorists, including Luce Irigaray, Julia Kristeva, Mary Ann Doane, and Kaja Silverman. Instead of assuming that fictions about women were based on biological fact, Craft-Fairchild stresses the opposite: the domestic novel itself constructs the domestic woman.
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|a JSTOR
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|a English fiction
|x Women authors
|x History and criticism.
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|a Women and literature
|z Great Britain
|x History
|y 18th century.
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|a English fiction
|y 18th century
|x History and criticism.
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|a Femininity in literature.
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|a Identity (Psychology) in literature.
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|a Sex role in literature.
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|a Disguise in literature.
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|a Femmes et littérature
|z Grande-Bretagne
|x Histoire
|y 18e siècle.
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|a Roman anglais
|y 18e siècle
|x Histoire et critique.
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|a Féminité dans la littérature.
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|a Identité (Psychologie) dans la littérature.
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|a Rôle selon le sexe dans la littérature.
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|a Déguisement dans la littérature.
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
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|a English fiction
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|a Femininity in literature
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|a Identity (Psychology) in literature
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|a Sex role in literature
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|a Women and literature
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|a Great Britain
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|a Identität
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|a Geschichte 1700-1800.
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|a Englisch.
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|a 1700-1799
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|a Criticism, interpretation, etc.
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|a History
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|i Print version:
|a Craft-Fairchild, Catherine.
|t Masquerade and gender.
|d University Park, Pa. : Pennsylvania State University Press, ©1993
|w (DLC) 92030851
|w (OCoLC)26503193
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|u https://jstor.uam.elogim.com/stable/10.5325/j.ctv14gp3x8
|z Texto completo
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