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JSTOR_ocn802057630 |
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100629s2012 miu ob s001 0 eng d |
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|a UAMI
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|a Jannarone, Kimberly.
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|a Artaud and his doubles /
|c Kimberly Jannarone.
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|a 1st pbk. ed.
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|a Ann Arbor :
|b University of Michigan Press,
|c 2012.
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|a 1 online resource (xiv, 253 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
|2 rda
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1 |
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|a Theater--theory/text/performance
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|a Includes bibliographical references and index.
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|a The fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling in the theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise of the director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness.
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|a This is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from accepted familiar premises, largely established in the 1960s: Artaud as prophet, madman, genius, was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and his productions--I dug into the archives to research Artaud's theatrical practice.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Artaud, Antonin,
|d 1896-1948
|x Criticism and interpretation.
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1 |
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|a Artaud, Antonin,
|d 1896-1948
|x Knowledge
|x Performing arts.
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1 |
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|a Artaud, Antonin,
|d 1896-1948
|2 fast
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650 |
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|a Experimental theater
|z France
|x History
|y 20th century.
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650 |
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|a Drama
|x History and criticism
|x Theory, etc.
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|a Cruelty in literature.
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650 |
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|a Théâtre (Genre littéraire)
|x Histoire et critique
|x Théorie, etc.
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650 |
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|a Cruauté dans la littérature.
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650 |
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|a LITERARY CRITICISM.
|2 bisac
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|a European / French.
|2 bisac
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|a Cruelty in literature
|2 fast
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|a Experimental theater
|2 fast
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|a Performing arts
|2 fast
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|a France
|2 fast
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|a Romance Literatures.
|2 hilcc
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|a Languages & Literatures.
|2 hilcc
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|a French Literature.
|2 hilcc
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|a 1900 - 1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|z 047211736X
|z 9780472117369
|w (DLC) 2010024619
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830 |
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|a Theater--theory/text/performance.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3998/mpub.345778
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL3415067
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|a ProQuest MyiLibrary Digital eBook Collection
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|b YANK
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