Literary criticism--idea and act : the English Institute, 1939-1972 :selected essays /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor Corporativo: English Institute
Otros Autores: Wimsatt, William K. (William Kurtz), 1907-1975 (Compilador)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley, Calif. : University of California Press, [1974]
Temas:
Criticism.
English literature > History and criticism.
English literature.
Critique.
Littérature anglaise.
Littérature anglaise > Histoire et critique.
Criticism
English literature
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • pt. 1. Act: the nature of literature and of literary study, 1939-1971: The search for English literary documents, 1939 / James M. Osborn
  • Mimesis and allegory, 1940 / W.H. Auden
  • The parallelism between literature and the arts, 1941 / René Wellek
  • The modern myth of the modern myth, 1947 / Donald A. Stauffer
  • Imagination as value, 1948 / Wallace Stevens
  • The defense of the illusion and the creation of myth: device and symbol in the plays of Shakespeare, 1948 / Leslie A. Fiedler
  • Memesis and katharsis: an archetypal consideration, 1951 / Philip Wheelwright
  • Ramus: rhetoric and the pre-Newtonian mind, 1952 / Walter J. Ong
  • Belief and the suspension of disbelief, 1957 / M.H. Abrams
  • Patristic exegesis in the criticism of medieval literature: the opposition, 1958 / E. Talbot Donaldson
  • The fate of pleasure: Wordsworth to Dostoevski, 1962 / Lionel Trilling
  • Ghostlier demarcations [Frye's archetypes], 1965 / Geoffrey H. Hartman
  • Sign, sense, and Roland Barthes, 1971 / Hugh M. Davidson
  • Whorf, Chomsky, and the student of literature, 1971 / George Steiner
  • pt. 2. Act: English literature, 1600-1950 (works, authors, periods, types): Musica Mundana and Twelfth night (1956) / John Hollander
  • On the value of Hamlet (institute papers, 1969) / Stephen Booth
  • Shakespeare's texts and modern productions (1968) / Daniel Seltzer
  • The example of Cervantes: the novel as parody (1955) / Harry Levin
  • Unifying symbols in the comedy of Ben Jonson (1954) / Ray L. Heffner, Jr.
  • The re-invented poem: George Herbert's alternatives (1969) / Helen Vendler
  • A mask presented at Ludlow Castle: the masque as a masque (1964) / C.L. Barber
  • The rising poet, 1645 [Milton] (1964) / Louis L. Martz
  • Literary criticism: Marvell's "Horatian ode" (1946) / Cleanth Brooks
  • Restoration comedy and later (1954) / Marvin Mudrick
  • Imitation as freedom: 1717-1798 (1968) / W.K. Wimsatt
  • The satiric Blake: apprenticeship at the Haymarket? (1968) / Martha W. England
  • Coleridge: the anxiety of influence (1971) / Harold Bloom
  • The irrelevant detail and the emergence of form [in the novel] (1970) / Martin Price
  • Dickens and the comedy of humors (1967) / Northrop Frye
  • Two faces of Edward (1959) / Richard Ellmann
  • Poetic drama and the well-made play (1949) / Arthur Mizener
  • Poetry in the theatre and the poetry of the theatre: Cocteau's Infernal machine (1949) / Francis Fergusson
  • Sartre and the drama of ensnarement (1963) / Victor Brombert
  • The upper apocalypse (1972) / Hugh Kenner.

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