|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_ocn801245272 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr bn||||||abp |
007 |
cr bn||||||ada |
008 |
120720s1974 cau ob 001 0 eng d |
040 |
|
|
|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCO
|d OCLCQ
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCA
|d OCLCQ
|d OCLCO
|d JSTOR
|d OCLCO
|
020 |
|
|
|a 9780520329447
|q (electronic bk.)
|
020 |
|
|
|a 0520329449
|q (electronic bk.)
|
020 |
|
|
|z 0520025857
|
020 |
|
|
|z 9780520025851
|
035 |
|
|
|a (OCoLC)801245272
|
037 |
|
|
|a 22573/cats5953492
|b JSTOR
|
042 |
|
|
|a dlr
|
043 |
|
|
|a e-uk---
|
050 |
|
4 |
|a PN85
|b .E68 1974
|
082 |
0 |
4 |
|a 820/.9
|
049 |
|
|
|a UAMI
|
110 |
2 |
|
|a English Institute.
|
245 |
1 |
0 |
|a Literary criticism--idea and act :
|b the English Institute, 1939-1972 :selected essays /
|c edited with an introd. by W.K. Wimsatt.
|
260 |
|
|
|a Berkeley, Calif. :
|b University of California Press,
|c [1974]
|
300 |
|
|
|a 1 online resource (viii, 650 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
0 |
|g pt. 1.
|t Act: the nature of literature and of literary study, 1939-1971:
|t The search for English literary documents, 1939 /
|r James M. Osborn --
|t Mimesis and allegory, 1940 /
|r W.H. Auden --
|t The parallelism between literature and the arts, 1941 /
|r René Wellek --
|t The modern myth of the modern myth, 1947 /
|r Donald A. Stauffer --
|t Imagination as value, 1948 /
|r Wallace Stevens --
|t The defense of the illusion and the creation of myth: device and symbol in the plays of Shakespeare, 1948 /
|r Leslie A. Fiedler --
|t Memesis and katharsis: an archetypal consideration, 1951 /
|r Philip Wheelwright --
|t Ramus: rhetoric and the pre-Newtonian mind, 1952 /
|r Walter J. Ong --
|t Belief and the suspension of disbelief, 1957 /
|r M.H. Abrams --
|t Patristic exegesis in the criticism of medieval literature: the opposition, 1958 /
|r E. Talbot Donaldson --
|t The fate of pleasure: Wordsworth to Dostoevski, 1962 /
|r Lionel Trilling --
|t Ghostlier demarcations [Frye's archetypes], 1965 /
|r Geoffrey H. Hartman --
|t Sign, sense, and Roland Barthes, 1971 /
|r Hugh M. Davidson --
|t Whorf, Chomsky, and the student of literature, 1971 /
|r George Steiner --
|g pt. 2.
|t Act: English literature, 1600-1950 (works, authors, periods, types):
|t Musica Mundana and Twelfth night (1956) /
|r John Hollander --
|t On the value of Hamlet (institute papers, 1969) /
|r Stephen Booth --
|t Shakespeare's texts and modern productions (1968) /
|r Daniel Seltzer --
|t The example of Cervantes: the novel as parody (1955) /
|r Harry Levin --
|t Unifying symbols in the comedy of Ben Jonson (1954) /
|r Ray L. Heffner, Jr. --
|t The re-invented poem: George Herbert's alternatives (1969) /
|r Helen Vendler --
|t A mask presented at Ludlow Castle: the masque as a masque (1964) /
|r C.L. Barber --
|t The rising poet, 1645 [Milton] (1964) /
|r Louis L. Martz --
|t Literary criticism: Marvell's "Horatian ode" (1946) /
|r Cleanth Brooks --
|t Restoration comedy and later (1954) /
|r Marvin Mudrick --
|t Imitation as freedom: 1717-1798 (1968) /
|r W.K. Wimsatt --
|t The satiric Blake: apprenticeship at the Haymarket? (1968) /
|r Martha W. England --
|t Coleridge: the anxiety of influence (1971) /
|r Harold Bloom --
|t The irrelevant detail and the emergence of form [in the novel] (1970) /
|r Martin Price --
|t Dickens and the comedy of humors (1967) /
|r Northrop Frye --
|t Two faces of Edward (1959) /
|r Richard Ellmann --
|t Poetic drama and the well-made play (1949) /
|r Arthur Mizener --
|t Poetry in the theatre and the poetry of the theatre: Cocteau's Infernal machine (1949) /
|r Francis Fergusson --
|t Sartre and the drama of ensnarement (1963) /
|r Victor Brombert --
|t The upper apocalypse (1972) /
|r Hugh Kenner.
|
506 |
|
|
|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
|
|
|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2012.
|5 MiAaHDL
|
538 |
|
|
|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
|
|a digitized
|c 2012
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Criticism.
|
650 |
|
0 |
|a English literature
|x History and criticism.
|
650 |
|
0 |
|a English literature.
|
650 |
|
6 |
|a Critique.
|
650 |
|
6 |
|a Littérature anglaise.
|
650 |
|
6 |
|a Littérature anglaise
|x Histoire et critique.
|
650 |
|
7 |
|a Criticism
|2 fast
|
650 |
|
7 |
|a English literature
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
700 |
1 |
|
|a Wimsatt, William K.
|q (William Kurtz),
|d 1907-1975,
|e compiler.
|
776 |
0 |
8 |
|i Print version:
|a English Institute.
|t Literary criticism--idea and act.
|d Berkeley, Calif. : University of California Press, [1974]
|w (DLC) 73085797
|w (OCoLC)1120856
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/jj.5973146
|z Texto completo
|
994 |
|
|
|a 92
|b IZTAP
|