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JSTOR_ocn799730294 |
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|z 20129002100 (print)
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|a 923777280
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|a 9781442696280
|q (electronic bk.)
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|a 1442696281
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|a 791.43
|2 23
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|a UAMI
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|a Stages of reality :
|b theatricality in cinema /
|c edited by André Loiselle and Jeremy Maron.
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|a Toronto :
|b University of Toronto Press,
|c [2012]
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|c ©2012
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|a 1 online resource (vi, 237 pages)
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|a text
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|a online resource
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|a Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film."--Pub. desc.
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|a "A groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television.
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|a Includes bibliographical references (pages 229-233).
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|a Self-adaptation: queer theatricality in Brad Fraser's Leaving Metropolis and Robert Lepage's La face cachée de la lune -- Brechtian television: theatricality and adaptation of the stage play -- Cinéma du Grand Guignol: theatricality in the horror film / André Loiselle -- 'I'll show them!' Creating legal spectacles in revenge cinema / R.J. Tougas -- The ethics of murder: trial as performance in the maternal melodrama / Brenda Austin-Smith -- Theatricality in the Cleopatra films: women (or We Men?) of power -- Committed theatricality / Sylvie Bissonnette -- Theatrical games and the gift of a fable: performance vs. reality in Roberto Benigni's Life Is Beautiful / Jeremy Maron -- Playing to the balcony: screen acting, distance, and Cavellian Theatricality / Aaron Taylor -- Bullet-time, Becoming, and the sway of theatricality: performance and play in The Matrix / Bruce Barton.
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|a Description based on print version record.
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Motion pictures and theater.
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650 |
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|a Motion pictures
|x History.
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|a Cinéma et théâtre.
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|a Cinéma
|x Histoire.
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|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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|a Motion pictures and theater.
|2 fast
|0 (OCoLC)fst01027423
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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700 |
1 |
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|a Loiselle, André,
|e editor.
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700 |
1 |
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|a Maron, Jeremy,
|d 1980-,
|e editor.
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776 |
0 |
8 |
|i Print version:
|t Stages of reality.
|d Toronto ; Buffalo : University of Toronto Press, ©2012
|z 9781442643529
|w (DLC) 2012454025
|w (OCoLC)770618007
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3138/j.ctt2tv5hj
|z Texto completo
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