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111220s2012 stkac fob 001 0 eng d |
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|a 22573/ctt3431jw
|b JSTOR
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|a PN1995.9.D49
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|a 791.436
|2 23
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|a UAMI
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|a Brown, Tom,
|d 1978-
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|a Breaking the fourth wall :
|b direct address in the cinema /
|c Tom Brown.
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|a Edinburgh :
|b Edinburgh University Press,
|c ©2012.
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|a 1 online resource (xvi, 188 pages) :
|b illustrations, portraits
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Counter-looks: direct address and counter-cinema -- Looks of invitation: comedic and musical direct address -- La notti di Cabiria (1957) -- High fidelity (2000) -- La ronde (1950).
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|a What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Motion pictures
|x History.
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|a Experimental films
|x History and criticism.
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|a Cinéma
|x Histoire.
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|a ART
|x Film & Video.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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|a Experimental films
|2 fast
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|a Motion pictures
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|z 9780748644254
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856 |
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt3fgqrq
|z Texto completo
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|a Askews and Holts Library Services
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|a Coutts Information Services
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|a ProQuest Ebook Central
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