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Breaking the fourth wall : direct address in the cinema /

What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumption...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brown, Tom, 1978-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, ©2012.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Breaking the fourth wall :  |b direct address in the cinema /  |c Tom Brown. 
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504 |a Includes bibliographical references and index. 
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505 0 |a Counter-looks: direct address and counter-cinema -- Looks of invitation: comedic and musical direct address -- La notti di Cabiria (1957) -- High fidelity (2000) -- La ronde (1950). 
520 |a What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other. 
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