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JSTOR_ocn797825796 |
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|a NC1766.5.E58
|b M87 2011eb
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|2 23
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|a PER004030
|2 bisacsh
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|a UAMI
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|a Murray, Robin L.
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245 |
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|a That's all folks? :
|b ecocritical readings of American animated features /
|c Robin L. Murray and Joseph K. Heumann.
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264 |
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|a Lincoln [Neb.] :
|b University of Nebraska Press,
|c 2011.
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264 |
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|c ©2011
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300 |
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|a 1 online resource (ix, 283 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a data file
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380 |
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|a Filmography
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|a Includes bibliographical references (pages 265-275), filmography and index.
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|a Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green?
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|a "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"--Provided by publisher
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Environmentalism in motion pictures.
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650 |
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|a Animated films.
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650 |
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|a Environnementalisme au cinéma.
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650 |
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|a Animated films.
|2 fast
|0 (OCoLC)fst00809611
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650 |
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|a Environmentalism in motion pictures.
|2 fast
|0 (OCoLC)fst01903141
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700 |
1 |
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|a Heumann, Joseph K.
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776 |
0 |
8 |
|i Print version:
|a Murray, Robin L.
|t That's all folks?.
|d Lincoln [Neb.] : University of Nebraska Press, ©2011
|w (DLC) 2011021894
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830 |
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0 |
|a JSTOR EBA.
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