Textual & visual selves : photography, film, and comic art in French autobiography /
Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investi...
Clasificación: | Libro Electrónico |
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Otros Autores: | , , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Lincoln [Neb.] :
University of Nebraska Press,
©2011.
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Colección: | UPCC book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels
- 6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne7. Viewing the Past through a "Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessinée; Contributors; Index