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Textual & visual selves : photography, film, and comic art in French autobiography /
Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investi...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lincoln [Neb.] :
University of Nebraska Press,
©2011.
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| Colección: | UPCC book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ma 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn797825699 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
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| 008 | 110517s2011 nbua ob 001 0 eng d | ||
| 010 | |a 2011020265 | ||
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| 020 | |a 9780803237995 |q (electronic bk.) | ||
| 020 | |a 0803237995 |q (electronic bk.) | ||
| 020 | |z 9780803236318 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 080323631X |q (pbk. ; |q alk. paper) | ||
| 020 | |a 1280497769 | ||
| 020 | |a 9781280497766 | ||
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| 037 | |a 22573/ctt1df4pt2 |b JSTOR | ||
| 043 | |a e-fr--- | ||
| 050 | 4 | |a PQ771 |b .T49 2011eb | |
| 072 | 7 | |a LIT |x 004150 |2 bisacsh | |
| 072 | 7 | |a LIT004150 |2 bisacsh | |
| 082 | 0 | 4 | |a 840.9/35 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Textual & visual selves : |b photography, film, and comic art in French autobiography / |c edited by Natalie Edwards, Amy L. Hubbell, and Ann Miller. |
| 246 | 1 | 4 | |a Textual and visual selves |
| 260 | |a Lincoln [Neb.] : |b University of Nebraska Press, |c ©2011. | ||
| 300 | |a 1 online resource (273 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels | |
| 505 | 8 | |a 6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne7. Viewing the Past through a "Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessinée; Contributors; Index | |
| 520 | |a Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas-and images-of self-representation.Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the refer. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a French prose literature |x History and criticism. | |
| 650 | 0 | |a Authors, French |x Biography |x History and criticism. | |
| 650 | 0 | |a Art in literature. | |
| 650 | 0 | |a Autobiography |x Authorship. | |
| 650 | 0 | |a Visual perception in literature. | |
| 650 | 0 | |a Literature and photography |z France. | |
| 650 | 0 | |a Self in literature. | |
| 650 | 6 | |a Prose française |x Histoire et critique. | |
| 650 | 6 | |a Écrivains français |x Biographies |x Histoire et critique. | |
| 650 | 6 | |a Art dans la littérature. | |
| 650 | 6 | |a Perception visuelle dans la littérature. | |
| 650 | 6 | |a Littérature et photographie |z France. | |
| 650 | 6 | |a Moi (Psychologie) dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x French. |2 bisacsh | |
| 650 | 7 | |a Art in literature. |2 fast |0 (OCoLC)fst00815566 | |
| 650 | 7 | |a Authors, French |x Biography. |2 fast |0 (OCoLC)fst00822017 | |
| 650 | 7 | |a Autobiography |x Authorship. |2 fast |0 (OCoLC)fst00822600 | |
| 650 | 7 | |a French prose literature. |2 fast |0 (OCoLC)fst00934829 | |
| 650 | 7 | |a Literature and photography. |2 fast |0 (OCoLC)fst01000089 | |
| 650 | 7 | |a Self in literature. |2 fast |0 (OCoLC)fst01111462 | |
| 650 | 7 | |a Visual perception in literature. |2 fast |0 (OCoLC)fst01168077 | |
| 651 | 7 | |a France. |2 fast |0 (OCoLC)fst01204289 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Edwards, Natalie. | |
| 700 | 1 | |a Hubbell, Amy L. | |
| 700 | 1 | |a Miller, Ann, |d 1949 September 1- | |
| 776 | 0 | 8 | |i Print version: |z 080323631X |
| 776 | 0 | 8 | |i Print version: |z 9780803236318 |
| 776 | 0 | 8 | |i Print version: |z 9780803237995 |
| 830 | 0 | |a UPCC book collections on Project MUSE. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1df4gqm |z Texto completo |
| 938 | |a ebrary |b EBRY |n ebr10559284 | ||
| 938 | |a EBSCOhost |b EBSC |n 447390 | ||
| 938 | |a Project MUSE |b MUSE |n muse3753 | ||
| 938 | |a YBP Library Services |b YANK |n 6923316 | ||
| 994 | |a 92 |b IZTAP | ||