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Opera and the city : the politics of culture in Beijing, 1770-1900 /

In late imperial China, opera was an integral part of life and culture, shared across the social hierarchy. Opera transmitted ideas about the self, family, society, and politics over time and space. The Qing capital of Beijing attracted a diverse array of opera genres and audiences and, by extension...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Goldman, Andrea S. (Andrea Sue) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, California : Stanford University Press, [2012]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Goldman, Andrea S.  |q (Andrea Sue),  |e author. 
245 1 0 |a Opera and the city :  |b the politics of culture in Beijing, 1770-1900 /  |c Andrea S. Goldman. 
246 3 0 |a Politics of culture in Beijing, 1770-1900 
264 1 |a Stanford, California :  |b Stanford University Press,  |c [2012] 
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520 8 |a In late imperial China, opera was an integral part of life and culture, shared across the social hierarchy. Opera transmitted ideas about the self, family, society, and politics over time and space. The Qing capital of Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values via performance. It is in this context that the author harnesses opera as a lens through which to examine urban cultural history. By examining opera in Qing Beijing, this work illuminates how the state and various urban constituencies partook of opera and manipulated it to their own ends 
504 |a Includes bibliographical references (pages 333-351) and index 
505 0 |a Opera aficionados and guides to boy-actresses -- Metropolitan opera, border crossings, and the state -- Musical genre, opera hierarchy, and court patronage -- Social melodrama and the sexing of political complaint -- Sex versus violence in "I, sister-in-law" operas 
546 |a English. 
588 0 |a Print version record 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Operas, Chinese  |x History and criticism. 
650 0 |a Operas, Chinese  |x Social aspects  |z China  |z Beijing. 
650 0 |a Operas, Chinese  |x Political aspects  |z China  |z Beijing. 
650 0 |a Operas, Chinese  |z China  |z Beijing  |x History and criticism. 
651 0 |a Beijing (China)  |x Intellectual life  |y 18th century. 
651 0 |a Beijing (China)  |x Intellectual life  |y 19th century. 
650 6 |a Opéras chinois  |x Aspect social  |z Chine  |z Pékin. 
650 6 |a Opéras chinois  |x Aspect politique  |z Chine  |z Pékin. 
650 7 |a MUSIC  |x Instruction & Study  |x Voice.  |2 bisacsh 
650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Vocal.  |2 bisacsh 
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650 7 |a Intellectual life  |2 fast 
650 7 |a Operas, Chinese  |2 fast 
650 7 |a Operas, Chinese  |x Political aspects  |2 fast 
650 7 |a Operas, Chinese  |x Social aspects  |2 fast 
651 7 |a China  |z Beijing  |2 fast 
648 7 |a 1700-1899  |2 fast 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Goldman, Andrea S. (Andrea Sue).  |t Opera and the city.  |d Stanford, California : Stanford University Press, [2012]  |z 9780804778312  |w (DLC) 2011047716  |w (OCoLC)762768547 
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