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Backstage in the novel : Frances Burney and the theater arts /
"In Backstage in the Novel, Francesca Saggini traces the unique interplay between fiction and theater in the eighteenth century through an examination of the work of the English novelist, diarist, and playwright Frances Burney. Moving beyond the basic identification of affinities between the ge...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Italiano |
| Publicado: |
Charlottesville :
University of Virginia Press,
©2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Saggini, Francesca. | |
| 240 | 1 | 0 | |a Messinscena dell'identita. |l English |
| 245 | 1 | 0 | |a Backstage in the novel : |b Frances Burney and the theater arts / |c Francesca Saggini ; translated by Laura Kopp. |
| 260 | |a Charlottesville : |b University of Virginia Press, |c ©2012. | ||
| 300 | |a 1 online resource (xv, 315 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Translated from the Italian. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: a wide angle on the muses -- In the beginning -- "In the novel way, there is no danger": transmodal adaptations and transtextuality in Evelina -- Caliban's mirror: The Witlings -- The theater and the city: Cecilia -- Texts, bodies, performance: staging madness in Cecilia and The wanderer. | |
| 520 | |a "In Backstage in the Novel, Francesca Saggini traces the unique interplay between fiction and theater in the eighteenth century through an examination of the work of the English novelist, diarist, and playwright Frances Burney. Moving beyond the basic identification of affinities between the genres, Saggini establishes a literary-cultural context for Burney's work, considering the relation between drama, a long-standing tradition, and the still-emergent form of the novel. Through close semiotic analysis, intertextual comparison, and cultural contextualization, Saggini highlights the extensive metatextual discourse in Burney's novels, allowing the theater within the novels to surface. Saggini's comparative analysis addresses, among other elements, textual structures, plots, characters, narrative discourse, and reading practices. The author explores the theatrical and spectacular elements that made the eighteenth-century novel a hybrid genre infused with dramatic conventions. She analyzes such conventions in light of contemporary theories of reception and of the role of the reader that underpinned eighteenth-century cultural consumption. In doing so, Saggini contextualizes the typical reader-spectator of Burney's day, one who kept abreast of the latest publications and was able to move effortlessly between "high" (sentimental, dramatic) and "low" (grotesque, comedic) cultural forms that intersected on the stage. Backstage in the Novel aims to restore to Burney's entire literary corpus the dimensionality that characterized it originally. It is a vivid, close-up view of a writer who operated in a society saturated by theater and spectacle and who rendered that dramatic text into narrative. More than a study of Burney or an overview of eighteenth-century literature and theater, this book gives immediacy to an understanding of the broad forces informing, and channeled through, Burney's life and work."--Project Muse. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Burney, Fanny, |d 1752-1840 |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Burney, Fanny, |d 1752-1840 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Burney, Fanny, |d 1752-1840 |2 fast |
| 650 | 0 | |a English fiction |y 18th century |x History and criticism. | |
| 650 | 0 | |a Performing arts in literature. | |
| 650 | 0 | |a Theater in literature. | |
| 650 | 6 | |a Théâtre dans la littérature. | |
| 650 | 6 | |a Arts du spectacle dans la littérature. | |
| 650 | 6 | |a Roman anglais |y 18e siècle |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English fiction |2 fast | |
| 650 | 7 | |a Performing arts in literature |2 fast | |
| 650 | 7 | |a Theater in literature |2 fast | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9780813932545 |z 0813932548 |w (DLC) 2011045975 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wrqcp |z Texto completo |
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