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Wild tongues : transnational Mexican popular culture /
<P>Tracing the configuration of the slapstick, destitute <em>Peladita/Peladito</em> and the <em>Pachuca/Pachuco</em> (depicted in flashy zoot suits) from 1928 to 2004, <cite>Wild Tongues</cite> is an ambitious, extensive examination of social order in Mexica...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2012.
|
| Edición: | 1st ed. |
| Colección: | Chicana matters series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Urquijo-Ruiz, Rita. | |
| 245 | 1 | 0 | |a Wild tongues : |b transnational Mexican popular culture / |c Rita E. Urquijo-Ruiz. |
| 250 | |a 1st ed. | ||
| 260 | |a Austin : |b University of Texas Press, |c 2012. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Chicana matters series | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a From the carpa to the novel: the peladito in Las aventuras de Don Chipote, o Cuando los pericos mamen -- Las peladitas: gender and humor in teatro de carpa -- Transnational pachucada: artistic representations in film, theater, and music across the border -- Of wild tongues and restless bodies: María Elena Gaitán's performance art -- Beyond the comfort zone: Dan Guerrero's 'Gaytino!'. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a <P>Tracing the configuration of the slapstick, destitute <em>Peladita/Peladito</em> and the <em>Pachuca/Pachuco</em> (depicted in flashy zoot suits) from 1928 to 2004, <cite>Wild Tongues</cite> is an ambitious, extensive examination of social order in Mexican and Chicana/o cultural productions in literature, theater, film, music, and performance art.</p> <p>From the use of the <em>Peladita</em> and the <em>Peladito</em> as stock characters who criticized various aspects of the Mexican government in the 1920s and 1930s to contemporary performance art by Mar?a Elena Gait?n and Dan Guerrero, which yields a feminist and queer-studies interpretation, Rita Urquijo-Ruiz emphasizes the transnational capitalism at play in these comic voices. Her study encompasses both sides of the border, including the use of the <em>Pachuca</em> and the <em>Pachuco</em> as anti-establishment, marginal figures in the United States. The result is a historically grounded, interdisciplinary approach that reimagines the limitations of nation-centered thinking and reading.</p> <p>Beginning with Daniel Venegas?s 1928 novel, <cite>Las aventuras de don Chipote o Cuando los pericos mamen</cite>, Rita Urquijo-Ruiz?s <cite>Wild Tongues</cite> demonstrates early uses of the Peladito to call attention to the brutal physical demands placed on the undocumented Mexican laborer. It explores <em>Teatro de Carpa</em> (tent theater) in-depth as well, bringing to light the experience of Mexican <em>Peladita </em>Amelia Wilhelmy, whose "La Willy" was famous for portraying a cross-dressing male soldier who criticizes the failed Revolution. In numerous other explorations such as these, the political, economic, and social power of creativity continually takes center stage.</p> | ||
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| 650 | 6 | |a Littérature mexicaine-américaine (espagnole) |y 20e siècle |x Histoire et critique. | |
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| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x Hispanic American Studies. |2 bisacsh | |
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| 650 | 7 | |a Mexican American literature (Spanish) |2 fast | |
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| 650 | 7 | |a Mexican Americans |x Social life and customs |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Urquijo-Ruiz, Rita. |t Wild tongues. |b 1st ed. |d Austin : University of Texas Press, 2012 |z 9780292723849 |w (DLC) 2011048570 |w (OCoLC)761845193 |
| 830 | 0 | |a Chicana matters series. | |
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