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Manhood, marriage & mischief : Rembrandt's 'Night watch' and other Dutch group portraits /

A study of the theory and practice of seventeenth-century Dutch group portraits, 'Manhood, Marriage, & Mischief' offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as w...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Berger, Harry
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2007.
Edición:1st ed.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Manhood, marriage & mischief :  |b Rembrandt's 'Night watch' and other Dutch group portraits /  |c Harry Berger, Jr. 
246 3 |a Manhood, marriage, and mischief 
250 |a 1st ed. 
260 |a New York :  |b Fordham University Press,  |c 2007. 
300 |a 1 online resource (xx, 272 pages, 16 pages of plates) :  |b illustrations (some color) 
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504 |a Includes bibliographical references (pages 227-265) and index. 
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520 8 |a A study of the theory and practice of seventeenth-century Dutch group portraits, 'Manhood, Marriage, & Mischief' offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations. 
505 0 0 |g Part One:  |t Group Portraits and the Fictions of the Pose --  |t Toward the Interpretation of Performance Anxiety --  |t Portraiture and the Fictions of the Pose --  |t The Posographical Imperative: A Comparison of Genres --  |t Group Portraiture: Coming Together and Coming Apart --  |t Alois Riegl and the Posographical Imperative --  |t Performance Anxiety and the Belated Viewer --  |g Part Two:  |t Militias and Marriage --  |t Male Bondage and the Military Imperative --  |t Social Sources of Performance Anxiety --  |g Part Three  |t Picturing Family Values --  |t The Preacher's Wife --  |t Women with Elbows --  |t Families Making Music --  |g Part Four:  |t 'The Night Watch' As Homosocial Pastoral --  |t The Night Watch: How the Sandbank Crumbles --  |t Evasive Action: Three Ways to Shore Up the Sandbank --  |t Captain Cocq and the Unruly Musketeer --  |t Disaggregation as Class Conflict --  |t Manual Mischief: The Loneliness of the Red Musketeer --  |t Between Stad and Stadholder: Captain Cocq's Dilemma --  |t Posographical Misfires --  |t An Odd Couple: the Ghost of Anslo's Wife --  |t Coda: Playing Soldier. 
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600 0 0 |a Rembrandt Harmenszoon van Rijn,  |d 1606-1669  |x Criticism and interpretation. 
600 0 0 |a Rembrandt Harmenszoon van Rijn,  |d 1606-1669.  |t Night watch. 
600 0 1 |a Rembrandt Harmenszoon van Rijn,  |d 1606-1669  |x Criticism and interpretation. 
600 0 1 |a Rembrandt Harmenszoon van Rijn,  |d 1606-1669.  |t Night watch. 
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630 0 7 |a Night watch (Rembrandt Harmenszoon van Rijn)  |2 fast 
650 0 |a Portrait painting, Dutch  |y 17th century. 
650 0 |a Portraits, Group  |z Netherlands. 
650 6 |a Portraits de groupe  |z Pays-Bas. 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Berger, Harry.  |t Manhood, marriage & mischief.  |b 1st ed.  |d New York : Fordham University Press, 2007  |z 9780823225569  |w (DLC) 2006038241  |w (OCoLC)76794761 
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