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Owning William Shakespeare : the King's Men and their intellectual property /
"Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia :
University of Pennsylvania Press,
[2011].
|
| Colección: | Material texts.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Marino, James J., |e author. | |
| 245 | 1 | 0 | |a Owning William Shakespeare : |b the King's Men and their intellectual property / |c James J. Marino. |
| 264 | 1 | |a Philadelphia : |b University of Pennsylvania Press, |c [2011]. | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (204 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
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| 504 | |a Includes bibliographical references (pages 179-193) and index. | ||
| 505 | 0 | |a Introduction -- Chapter 1. Secondhand Repertory: The Fall and Rise of Master W. Shakespeare -- Chapter 2. Sixty Years of Shrews -- Chapter 3. Hamlet, Part by Part -- Chapter 4. William Shakespeare's Sir John Oldcastle and the Globe's William Shakespeare -- Chapter 5. Restorations and Glorious Revolutions -- Notes -- Works Cited -- Index. | |
| 520 | |a "Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to "Shakespeare" did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage." -- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Authorship. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism, Textual. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history |y To 1625. |
| 610 | 2 | 0 | |a Chamberlain's Men (Theater company) |
| 610 | 2 | 0 | |a King's Men (Theater company) |
| 600 | 1 | 1 | |a Shakespeare, William, |d 1564-1616 |x Authorship. |
| 600 | 1 | 1 | |a Shakespeare, William, |d 1564-1616 |x Criticism, Textual. |
| 600 | 1 | 1 | |a Shakespeare, William, |d 1564-1616 |x Stage history |y To 1625. |
| 610 | 2 | 7 | |a King's Men (Theater company) |2 fast |
| 610 | 2 | 7 | |a Chamberlain's Men (Theater company) |2 fast |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 650 | 0 | |a Theatrical companies |z England |z London |x History |y 17th century. | |
| 650 | 0 | |a Theatrical companies |z England |z London |x History |y 16th century. | |
| 650 | 0 | |a Repertory theater |z England |z London |x History |y 17th century. | |
| 650 | 0 | |a Repertory theater |z England |z London |x History |y 16th century. | |
| 650 | 0 | |a Transmission of texts |z England |x History |y 17th century. | |
| 650 | 0 | |a Transmission of texts |z England |x History |y 16th century. | |
| 650 | 0 | |a Intellectual property |z England |x History |y 17th century. | |
| 650 | 0 | |a Intellectual property |z England |x History |y 16th century. | |
| 650 | 6 | |a Propriété intellectuelle |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Propriété intellectuelle |z Angleterre |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Transmission de textes |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Transmission de textes |z Angleterre |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Théâtre de répertoire |z Angleterre |z Londres |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Théâtre de répertoire |z Angleterre |z Londres |x Histoire |y 17e siècle. | |
| 650 | 6 | |a Troupes de théâtre |z Angleterre |z Londres |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Troupes de théâtre |z Angleterre |z Londres |x Histoire |y 17e siècle. | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a Authorship |2 fast | |
| 650 | 7 | |a Intellectual property |2 fast | |
| 650 | 7 | |a Repertory theater |2 fast | |
| 650 | 7 | |a Theatrical companies |2 fast | |
| 650 | 7 | |a Transmission of texts |2 fast | |
| 651 | 7 | |a England |2 fast | |
| 651 | 7 | |a England |z London |2 fast | |
| 648 | 7 | |a To 1699 |2 fast | |
| 653 | |a "Multi-User" | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Marino, James J. |t Owning William Shakespeare. |d Philadelphia : University of Pennsylvania Press, ©2011 |w (DLC) 2010028881 |
| 830 | 0 | |a Material texts. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt3fhkz7 |z Texto completo |
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