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The emblematics of the self : ekphrasis and identity in Renaissance imitations of Greek romance /
The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the "other," as well as new possibilities for early modern identities, in an increasingly global Renaissance.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto [Ont.] :
University of Toronto Press,
©2012
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bearden, Elizabeth B., |d 1975- | |
| 245 | 1 | 4 | |a The emblematics of the self : |b ekphrasis and identity in Renaissance imitations of Greek romance / |c Elizabeth B. Bearden. |
| 260 | |a Toronto [Ont.] : |b University of Toronto Press, |c ©2012 |e (Saint-Lazare, Quebec : |f Canadian Electronic Library, |g 2012) | ||
| 300 | |a 1 online resource (xiv, 258 pages) : |b illustrations, digital file | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 229-247) and index. | ||
| 505 | 0 | |a Chapter One The Romance Globe: Why the Renaissance Repainted Greek Romance -- Chapter Two Converso Convertida: Cross-dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea -- Chapter Three Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia -- Chapter Four Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes' Persiles -- Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis -- Chapter Six "We are all picturd in that Piece": Lovers, Persians, Tartars, and the "Tottering" Romance Globe in Lady Mary Wroth's Urania -- Conclusions. | |
| 520 | |a The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the "other," as well as new possibilities for early modern identities, in an increasingly global Renaissance. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a European literature |y Renaissance, 1450-1600 |x History and criticism. | |
| 650 | 0 | |a European literature |y Renaissance, 1450-1600 |x Greek influences. | |
| 650 | 0 | |a Identity (Philosophical concept) in literature. | |
| 650 | 0 | |a Ekphrasis. | |
| 650 | 6 | |a Littérature européenne |y 1450-1600 (Renaissance) |x Histoire et critique. | |
| 650 | 6 | |a Littérature européenne |y 1450-1600 (Renaissance) |x Influence grecque. | |
| 650 | 6 | |a Identité dans la littérature. | |
| 650 | 6 | |a Ekphrasis. | |
| 650 | 7 | |a ekphrasis. |2 aat | |
| 650 | 7 | |a HISTORY |x Renaissance. |2 bisacsh | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Literary. |2 bisacsh | |
| 650 | 7 | |a Ekphrasis. |2 fast |0 (OCoLC)fst00904124 | |
| 650 | 7 | |a European literature |x Renaissance. |2 fast |0 (OCoLC)fst01710967 | |
| 650 | 7 | |a Identity (Philosophical concept) in literature. |2 fast |0 (OCoLC)fst00966891 | |
| 648 | 7 | |a 1450-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Bearden, Elizabeth R. |t Emblematics of the Self : Ekphrasis and Identity in Renaissance Imitations of Greek Romance. |d Toronto : University of Toronto Press, ©2000 |z 9781442643468 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3138/9781442696143 |z Texto completo |
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