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Marriage, gender, and desire in early Enlightenment German comedy /

The new literary comedies of the 1740s propagated a new sentimental discourse promoting marriage based on love while devaluing the traditional socioeconomic foundations of marriage. Yet in a number of these same comedies, alternative gender roles and sexual behaviors call the primacy of marriage int...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Potter, Edward T.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, N.Y. : Boydell & Brewer, 2012.
Colección:Studies in German literature, linguistics, and culture ; v. 112.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Marriage, gender, and desire in early Enlightenment German comedy /  |c Edward T. Potter. 
260 |a Rochester, N.Y. :  |b Boydell & Brewer,  |c 2012. 
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490 1 |a Studies in German Literature Linguistics and Culture ;  |v v. 112 
504 |a Includes bibliographical references and index. 
505 0 |a Frontcover; Contents; Acknowledgments; List of Abbreviations; Introduction: Comedy, the Sentimenta lMarriage, and Modes of Resistance; 1: Promoting the Sentimental Marriage in Theory and in Practice; 2: The Virgin Huntress Tamed: J.C. Gottsched's Atalanta and the Erasure of Female Autonomy; 3: Marriage Brokering at the Expense of Economics: C.F. Gellert's Die zärtlichen Schwestern; 4: The Clothes Make the Man: J.E. Schlegel's Der Triumph der guten Frauen; 5: Cross-Dressing and Gender Performance in G.E. Lessing's Der Misogyne. 
505 8 |a 6: Sickness Masks Desire in Th. J. Quistorp's Der Hypochondrist Conclusion; Works Cited; Index; Backcover. 
520 |a The new literary comedies of the 1740s propagated a new sentimental discourse promoting marriage based on love while devaluing the traditional socioeconomic foundations of marriage. Yet in a number of these same comedies, alternative gender roles and sexual behaviors call the primacy of marriage into question. Edward T. Potter examines this marital discourse in close readings of such plays, uncovering the ambiguity of eighteenth-century comedy's stance on marriage and highlighting its resistance to the emerging discourse of the sentimental marriage. 
588 0 |a Print version record. 
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650 0 |a Theater  |z Germany  |x History  |y 18th century. 
650 0 |a Marriage in literature. 
650 0 |a Gender identity in literature. 
650 6 |a Théâtre  |z Allemagne  |x Histoire  |y 18e siècle. 
650 6 |a Mariage dans la littérature. 
650 6 |a Identité de genre dans la littérature. 
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650 7 |a Theater.  |2 fast  |0 (OCoLC)fst01149217 
651 7 |a Germany.  |2 fast  |0 (OCoLC)fst01210272 
650 7 |a Deutsch  |2 gnd 
650 7 |a Komödie  |2 gnd 
650 7 |a Aufklärung  |2 gnd 
650 7 |a Eheschließung  |g Motiv  |2 gnd 
650 7 |a Geschlechterrolle  |g Motiv  |2 gnd 
650 7 |a Begierde  |g Motiv  |2 gnd 
650 7 |a Theater  |2 gnd 
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776 0 8 |i Print version:  |a Potter, Edward T.  |t Marriage, Gender, and Desire in Early Enlightenment German Comedy.  |d Woodbridge : Boydell & Brewer, ©2012  |z 9781571135292 
830 0 |a Studies in German literature, linguistics, and culture ;  |v v. 112. 
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