Authorship and first-person allegory in late medieval France and England /

The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose the narrative also directs the reader to interpret such claims. Moreo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kamath, Stephanie A. V. G.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge, Suffolk (U.K.) : Boydell & Brewer, 2012.
Colección:Gallica (Woodbridge (Suffolk, England)) ; v. 26.
Temas:
To 1700
English literature > Early modern, 1500-1700 > History and criticism.
English literature > Middle English, 1100-1500 > History and criticism.
French literature > To 1500 > History and criticism.
Littérature anglaise > 1100-1500 (Moyen anglais) > Histoire et critique.
Littérature française > Jusqu'à 1500 > Histoire et critique.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
LITERARY COLLECTIONS > Medieval.
English literature > Early modern
English literature > Middle English
French literature
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontcover; Contents; Acknowledgements; Abbreviations; A Note on Names, Sources, and Translations; Introduction; 1 "Comment ot nom": Allegory and Authorship in the Roman de la Rose and the Pèlerinage de la Vie Humaine; 2 "What so myn auctour mente": Allegory and Authorship in Geoffrey Chaucer's Dreams; 3 "Thereof was I noon auctour": Allegory and Thomas Hoccleve's Authority; 4 Verba Translatoris: Allegory and John Lydgate's Literary Tradition; Coda; Bibliography; Index; Backcover.

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