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Authorship and first-person allegory in late medieval France and England /

The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose the narrative also directs the reader to interpret such claims. Moreo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kamath, Stephanie A. V. G.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge, Suffolk (U.K.) : Boydell & Brewer, 2012.
Colección:Gallica (Woodbridge (Suffolk, England)) ; v. 26.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kamath, Stephanie A. V. G. 
245 1 0 |a Authorship and first-person allegory in late medieval France and England /  |c Stephanie A. Viereck Gibbs Kamath. 
260 |a Woodbridge, Suffolk (U.K.) :  |b Boydell & Brewer,  |c 2012. 
300 |a 1 online resource (228 pages) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Gallica ;  |v v. 26 
504 |a Includes bibliographical references and index. 
505 0 |a Frontcover; Contents; Acknowledgements; Abbreviations; A Note on Names, Sources, and Translations; Introduction; 1 "Comment ot nom": Allegory and Authorship in the Roman de la Rose and the Pèlerinage de la Vie Humaine; 2 "What so myn auctour mente": Allegory and Authorship in Geoffrey Chaucer's Dreams; 3 "Thereof was I noon auctour": Allegory and Thomas Hoccleve's Authority; 4 Verba Translatoris: Allegory and John Lydgate's Literary Tradition; Coda; Bibliography; Index; Backcover. 
520 |a The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose the narrative also directs the reader to interpret such claims. Moreover, the specific attributes of the narrator-protagonist bring greater attention to individual identity. But as the actual authors of the allegories also adapted elements found in each other's works, their shared literary tradition unites differing perspectives: the most celebrated French first-person al. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a English literature  |y Early modern, 1500-1700  |x History and criticism. 
650 0 |a English literature  |y Middle English, 1100-1500  |x History and criticism. 
650 0 |a French literature  |y To 1500  |x History and criticism. 
650 6 |a Littérature anglaise  |y 1100-1500 (Moyen anglais)  |x Histoire et critique. 
650 6 |a Littérature française  |y Jusqu'à 1500  |x Histoire et critique. 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
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650 7 |a French literature  |2 fast 
648 7 |a To 1700  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Gibbs Kamath, Stephanie A. Viereck.  |t Authorship and First-Person Allegory in Late Medieval France and England.  |d Woodbridge : Boydell & Brewer, ©2012  |z 9781843843139 
830 0 |a Gallica (Woodbridge (Suffolk, England)) ;  |v v. 26. 
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