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Peter Lorre : face maker : stardom and performance between Hollywood and Europe /
Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of h...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Berghahn Books,
2012.
|
| Colección: | Film Europa.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Thomas, Sarah, |d 1978- |e author. | |
| 245 | 1 | 0 | |a Peter Lorre : |b face maker : stardom and performance between Hollywood and Europe / |c Sarah Thomas. |
| 264 | 1 | |a New York : |b Berghahn Books, |c 2012. | |
| 264 | 4 | |c Ã2012 | |
| 300 | |a 1 online resource (213 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film Europa: German cinema in an international context | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Lorre and the European stage (1922-1931) -- M, Fritz Lang and Hans Beckert -- The Hollywood leading roles (1935-1941) -- The supporting actor (1941-1946) -- Der Verlorene (The lost one) -- The final screen roles (1954-1964) -- Alternative 'Hollywood' media contexts -- Conclusion. | |
| 520 | |a Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang's M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre's screen performances were highly ambitious, and the terms of his employment were rarely restrictive. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Lorre, Peter |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Lorre, Peter. |2 fast |0 (OCoLC)fst00031322 |
| 650 | 7 | |a PERFORMING ARTS |x Acting & Auditioning. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Thomas, Sarah, 1978- |t Peter Lorre, face maker. |d New York : Berghahn Books, 2012 |z 9780857454416 |w (DLC) 2011044921 |w (OCoLC)759912339 |
| 830 | 0 | |a Film Europa. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qcrkm |z Texto completo |
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