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|a UAMI
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|a Goldsby, Robert.
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|a Molière on stage :
|b what's so funny? /
|c Robert W. Goldsby.
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|a London ;
|a New York :
|b Anthem Press,
|c 2012.
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|a 1 online resource :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a data file
|2 rda
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|a Anthem studies in theatre and performance
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|a 'Molière on Stage' takes the reader onstage, backstage and into the audience of Molière's plays, and analyzes the performance of his works in both his own time and ours.
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|a Includes bibliographical references and index.
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|a Front Matter; Half Title; Title Page; Copyright; Dedication; Curtain Raiser; Table of Contents; Acknowledgments; Chronology of Plays Discussed; List of Illustrations; Main Matter; Act One THE BACK STORY; I" 'ALLO, MOLIÈRE"; II THE FIRST STAGES; III FINDING HIS LIGHT; IV THE ACTOR UNMASKED; Act Two THE AGON; V INTO THE MOUTH OF THE WOLF; VI ''GO SADDLE YON BRAYING ASS!''; VII ENTRANCES ... ; VIII ... AND EXITS; IX SHE LOVES ME ... SHE LOVES ME ... ; X ... NOT!; Act Three THE COMIC RELIEF; XI BLESSÈD LAUGHTER; XII CLASSIC ROUTINES; XIII MUSICAL COMEDY; XIV THE BONES OF FARCE; Act Four AND LEAVE 'EM LAUGHIN'
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|a XV THE DANCING SKELETONXVI THE IMAGINARY INVALID; XVII FULL CIRCLE; Back Matter; Notes; Works Cited and Consulted; Index.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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1 |
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|a Molière,
|d 1622-1673
|x Stage history.
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1 |
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|a Molière,
|d 1622-1673
|x Dramatic production.
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1 |
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|a Molière,
|d 1622-1673
|2 fast
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|a DRAMA
|x Continental European.
|2 bisacsh
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650 |
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|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
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|a Theater
|2 fast
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|a Romance Literatures.
|2 hilcc
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|a Languages & Literatures.
|2 hilcc
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|a French Literature.
|2 hilcc
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776 |
0 |
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|i Print version:
|a Goldsby, Robert.
|t Molière on stage.
|d London ; New York : Anthem Press, 2012
|z 9780857284426
|w (DLC) 2012001708
|w (OCoLC)756577504
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830 |
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0 |
|a Anthem studies in theatre and performance.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1gxp6c9
|z Texto completo
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938 |
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