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Metawritings : toward a theory of nonfiction.
Metawriting - the writing about writing or writing that calls attention to itself as writing - has been around since Don Quixote and Tristram Shandy, but Jill Talbot makes that case that now more than ever the act of metawriting is performed on a daily basis by anyone with a Facebook profile, a Twit...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Iowa City :
University of Iowa Press,
2012.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Metawritings : |b toward a theory of nonfiction. |
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| 505 | 0 | |a Acknowledgments; Pam Houston -- Prologue: Corn Maze; Jill Talbot -- Meta-Introduction; Ryan Van Meter -- I Was There; Interview with Ryan Van Meter; Cathy Day -- Genesis; or the Day Adam Killed the Snakes; Interview with Cathy Day; Anonymous -- The Facts of the Matter; Interview with Anonymous; Sarah Blackman -- The Girl Is a Fiction; Interview with Sarah Blackman; David Lazar -- On Dating; Interview with David Lazar; Brenda Miller -- The Dog at the Edge of the World; Interview with Brenda Miller; Ander Monson -- Facing the Monolith; Interview with Ander Monson. | |
| 505 | 8 | |a Robin Hemley -- The Pickpocket Project; Interview with Robin Hemley; Lena Dunham -- Excerpts from Creative Nonfiction; Interview with Lena Dunham; Bernard Cooper -- Winner Take Nothing; Interview with Bernard Cooper; Brian Oliu -- Adventure Island; Interview with Brian Oliu; Kristen Iversen -- How to Be Tough in Creative Nonfiction; Interview with Kristen Iversen; Contributors; Permissions; Index. | |
| 520 | |a Metawriting - the writing about writing or writing that calls attention to itself as writing - has been around since Don Quixote and Tristram Shandy, but Jill Talbot makes that case that now more than ever the act of metawriting is performed on a daily basis by anyone with a Facebook profile, a Twitter account, or a webpage. Metawritings: Toward a Theory of Nonfiction is the first collection to combine metawriting in both fiction and nonfiction. In this daring volume, metawriting refers to writing about writing, veracity in writing, the I of writing and, ultimately, the construction o. | ||
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