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The philosophy of the beats /

"The phrase "beat generation"--Introduced by Jack Kerouac in 1948 -- characterized the underground, nonconformist youths who gathered in New York City at that time. Together, these writers, artists, and activists created an inimitably American cultural phenomenon that would have a glo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Elkholy, Sharin N.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : University Press of Kentucky, ©2012.
Colección:Philosophy of popular culture.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The philosophy of the beats /  |c edited by Sharin N. Elkholy. 
260 |a Lexington :  |b University Press of Kentucky,  |c ©2012. 
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490 1 |a The philosophy of popular culture 
520 |a "The phrase "beat generation"--Introduced by Jack Kerouac in 1948 -- characterized the underground, nonconformist youths who gathered in New York City at that time. Together, these writers, artists, and activists created an inimitably American cultural phenomenon that would have a global influence. In their constant search for meaning, the Beats struggled with anxiety, alienation, and their role as the pioneers of the cultural revolution of the 1960s. The Philosophy of the Beats explores the enduring literary, cultural, and philosophical contributions of the Beats in a variety of contexts. Editor Sharin N. Elkholy has gathered leading scholars in Beat studies and philosophy to analyze the cultural, literary, and biographical aspects of the movement, including the drug experience in the works of Kerouac and Allen Ginsberg, feminism and the Beat heroine in Diane Di Prima's writings, Gary Snyder's environmental ethics, and the issue of self in Bob Kaufman's poetry. The Philosophy of the Beats provides a thorough and compelling analysis of the philosophical underpinnings that defined the beat generation and their unique place in modern American culture."--Project Muse 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Front cover; Copyright; Contents; Introduction; 1. The Philosophy and Non-Philosophy of Potato Salad; 2. Laugh of the Revolutionary; 3. Beat U-topos or Taking Utopia on the Road; 4. Being-at-Home; 5. From Self-Alienation to Posthumanism; 6. I am not an I -- 7. Tongues Untied; 8. Joanne Kyger Descartes and the Splendor Of -- 9. John Clellon Holmes and Existentialism; 10. Wholly Communion; 11. High Off the Page; 12. Genius All the TIme; 13. Spontaneity, Immediacy, and Difference; 14. Two Ways of Enduring the Flames; 15. Anarchism and the Beats; 16. Between Social Ecology and Deep Ecology. 
505 8 |a 17. William Burroughs as PhilosopherContributors; Index; Series page. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
650 0 |a Beats (Persons) 
650 0 |a American literature  |y 20th century  |x History and criticism. 
650 6 |a Littérature américaine  |y 20e siècle  |x Histoire et critique. 
650 6 |a Beatniks. 
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700 1 |a Elkholy, Sharin N. 
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830 0 |a Philosophy of popular culture. 
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