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Speaking about Godard /
Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
NYU Press,
1998.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Silverman, Kaja. | |
| 245 | 1 | 0 | |a Speaking about Godard / |c Kaja Silverman and Harun Farocki ; with a foreword by Constance Penley. |
| 260 | |a New York : |b NYU Press, |c 1998. | ||
| 300 | |a 1 online resource (xiii, 243 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 229-243). | ||
| 505 | 0 | |a Cover; Title Page; Copyright Page; Contents; Foreword; Acknowledgments; one Nana Is an Animal: My Life to Live/Vivre sa vie (1962); two In Search of Homer: Contempt/Le Mépris (1963); three Words Like Love: Alphaville/Alphaville, une étrange aventure de Lemmy Caution (1965); four Anal Capitalism: Weekend/Le Week-End (1967); five I Speak, Therefore I'm Not: Gay Knowledge/Le Gai Savoir (1968); six In Her Place: Number Two/Numero deux (1975); seven Moving Pictures: Passion (1981); eight The Same, Yet Other: New Wave/Nouvelle vague (1990); Notes; About the Authors. | |
| 520 | |a Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from Contempt to Passion . Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues-each representing a diffe. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Godard, Jean-Luc, |d 1930-2022 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Godard, Jean-Luc, |d 1930-2022 |2 fast |
| 650 | 4 | |a Fine Arts. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Farocki, Harun. | |
| 776 | 0 | 8 | |i Print version: |a Silverman, Kaja. |t Speaking about Godard. |d New York : New York University Press, ©1998 |z 0814780652 |w (DLC) 98012701 |w (OCoLC)38411314 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qgbzs |z Texto completo |
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