Art, Politics, and Commerce in Chinese Cinema /

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Art, politics and commerce are intertwined everywhere, but in China the interplay is explicit, intimate and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential to understanding mainland Chinese cinema. This...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zhu, Ying, 1965- (Autor)
Otros Autores: Rosen, Stanley, 1942- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hong Kong : Hong Kong University Press, 2010.
Temas:
Art and motion pictures > China > History.
Motion picture industry > Economic aspects > China > History.
Motion picture industry > Political aspects > China > History.
Motion picture industry > Social aspects > China > History.
Motion pictures > China > History.
Art et cinéma > Chine > Histoire.
Cinéma > Industrie > Aspect économique > Chine > Histoire.
Cinéma > Industrie > Aspect politique > Chine > Histoire.
Cinéma > Industrie > Aspect social > Chine > Histoire.
Cinéma > Chine > Histoire.
BUSINESS & ECONOMICS > Industries > Media & Communications.
TECHNOLOGY & ENGINEERING > Telecommunications.
SOCIAL SCIENCE > Anthropology > Cultural.
Art and motion pictures
Motion picture industry > Economic aspects
Motion picture industry > Political aspects
Motion picture industry > Social aspects
Motion pictures
China
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Art, Politics, and Commerce in Chinese Cinema; copyright page; Contents; List of Tables; Acknowledgements; Contributors; Introduction; Part 1 Film Industry:Local and Global Markets; 1. The Evolution of Chinese Film as an Industry; 2. Chinese Cinema's International Market; 3. American Films in China Prior to 1950; 4. Piracy and the Dvd/Vcd Market: Contradictions and Paradoxes; Part 2 Film Politics: Genre and Reception; 5. The Triumph of Cinema: Chinese Film Culture from the 1960s to the 1980s; 6. The Martial Arts Film in Chinese Cinema: Historicism and the National.
  • 7. Chinese Animation Film: From Experimentation to Digitalization8. Of Institutional Supervision and Individual Subjectivity:The History and Current State of Chinese Documentary; Part 3 Film Art:Style and Authorship; 9. The Cinematic Transition of the Fifth Generation Auteurs; 10. Transmedia Strategies of Appropriation and Visualization: The Case of Zhang Yimou's Adaptation of Novels in His Early Films; 11. Boundary Shifting: New Generation Filmmaking and Jia Zhangke's Films; 12. New Year Film as Chinese Blockbuster: From Feng Xiaogang's Contemporary Urban Comedy to Zhang Yimou's Period Drama.
  • NotesFilmography; Bibliography; Index.

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