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Image matters : archive, photography, and the African diaspora in Europe /
"In Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt's study are two photographic archives, one composed primaril...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham [N.C.] :
Duke University Press,
2012.
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| Colección: | e-Duke books scholarly collection.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Campt, Tina, |d 1964- | |
| 245 | 1 | 0 | |a Image matters : |b archive, photography, and the African diaspora in Europe / |c Tina M. Campt. |
| 264 | 1 | |a Durham [N.C.] : |b Duke University Press, |c 2012. | |
| 300 | |a 1 online resource (xi, 241 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "In Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt's study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of "race" in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities."--Publisher's website | ||
| 505 | 0 | 0 | |t Introduction : on family tales and photographic records -- |t Family matters : sight, sense, touch -- |t Family touches -- |t Interstitial one: the girl and/in the gaze -- |t Orphan photos, fugitive images -- |t Image matters : sight, sound, score -- |t Interstitial two: "thingyness", or the matter of the image -- |t The lyric of the archive. |
| 588 | 0 | |a Print version record. | |
| 508 | |a Produced by the publisher. | ||
| 508 | |a Held by CAPER-BC, Langara College. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Photography |x Social aspects |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Photography |x Social aspects |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Black people |z Germany |x Social conditions |y 20th century. | |
| 650 | 0 | |a Black people |z Great Britain |x Social conditions |y 20th century. | |
| 650 | 6 | |a Photographie |x Aspect social |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Photographie |x Aspect social |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Personnes noires |z Allemagne |x Conditions sociales |y 20e siècle. | |
| 650 | 6 | |a Personnes noires |z Grande-Bretagne |x Conditions sociales |y 20e siècle. | |
| 650 | 7 | |a PHOTOGRAPHY |x Collections, Catalogs, Exhibitions |x General. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Individual Photographers |x Artists' Books. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Photoessays & Documentaries. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Criticism. |2 bisacsh | |
| 650 | 7 | |a Black people |x Social conditions |2 fast | |
| 650 | 7 | |a Photography |x Social aspects |2 fast | |
| 651 | 7 | |a Germany |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 650 | 7 | |a Schwarze |2 gnd | |
| 650 | 7 | |a Fotografie |2 gnd | |
| 650 | 7 | |a Fotoarchiv |2 gnd | |
| 650 | 7 | |a Kulturelle Identität |2 gnd | |
| 650 | 7 | |a Familienfotografie |2 gnd | |
| 651 | 7 | |a Europa. |2 idszbz | |
| 651 | 7 | |a Deutschland. |2 idszbz | |
| 651 | 7 | |a Großbritannien. |2 idszbz | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Campt, Tina, 1964- |t Image matters. |d Durham, N.C. : Duke University Press, 2012 |z 9780822350569 |z 0822350564 |w (DLC) 2011030938 |w (OCoLC)746489167 |
| 830 | 0 | |a e-Duke books scholarly collection. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv125jqhg |z Texto completo |
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