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Cryptomimesis : the gothic and Jacques Derrida's ghost writing /

She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain "Gothic" stylistic, formal, and thematic patterns and motifs in Derrida's work that give rise to questions regarding writing, reading, and interpretation....

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Castricano, Carla Jodey, 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montréal ; Ithaca : McGill-Queen's University Press, ©2001.
Temas:
Acceso en línea:Texto completo
Descripción
Sumario:She develops the theory of cryptomimesis, a term devised to accommodate the convergence of philosophy, psychoanalysis, and certain "Gothic" stylistic, formal, and thematic patterns and motifs in Derrida's work that give rise to questions regarding writing, reading, and interpretation. Using Edgar Allan Poe's Madeline and Roderick Usher, Bram Stoker's Dracula, and Stephen King's Louis Creed, she illuminates Derrida's concerns with inheritance, revenance, and haunting and reflects on deconstruction as ghost writing. Castricano demonstrates that Derrida's Specters of Marx owes much to the Gothic insistence on the power of haunting and explores how deconstruction can be thought of as the ghost or deferred promise of Marxism. She traces the movement of the "phantom" throughout Derrida's other texts, arguing that such writing provides us with an uneasy model of subjectivity because it suggests that "to be" is to be haunted. Castricano claims that cryptomimesis is the model, method, and theory behind Derrida's insistence that to learn to live we must learn how to talk Awith" ghosts.
Descripción Física:1 online resource (176 pages)
Bibliografía:Includes bibliographical references.
ISBN:9780773569669
0773569669
1282859668
9781282859661
9786612859663
6612859660